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Updated: June 11, 2025
The school in which political education was tried for a space of something under two years is in no way a very remarkable school. It has its sixteenth-century founder, "of pious memory," and its "second founder," of memory almost more pious, in early Victorian days. That second founder made the school famous as a centre of stalwart evangelicalism.
'The historical plays teach history to those who cannot read it in the chronicles, says Heywood in a tract about the stage, and yet I am sure that sixteenth-century chronicles were much more delightful reading than nineteenth-century primers are.
'Don't you remember? he answered; 'look at the book on which his hand is resting. 'I see there is some writing there, but I cannot make it out, I replied. 'Take this magnifying-glass and try, said Erskine, with the same sad smile still playing about his mouth. I took the glass, and moving the lamp a little nearer, I began to spell out the crabbed sixteenth-century handwriting.
In sixteenth-century Spain, home of the sedan and the caballero galante, the original term was bracciere. In Venice the form was cavaliere servente. For a good note on the subject, see Sismondi's Italian Republics, ed. It combined the chivalry of northern friendship with the refined passion of the South for the seclusion of women.
Arthur came across the room with the velvet tread that always exasperated the good folk at home. He was a slender little creature, more like an Italian in a sixteenth-century portrait than a middle-class English lad of the thirties. From the long eyebrows and sensitive mouth to the small hands and feet, everything about him was too much chiseled, overdelicate.
He was dressed in his working clothes, but he was fully armed: his gun on his shoulder, his great pistols in his sash, his dagger in his stocking. They were ancient arms; but they had served in matters of life and death, and would so serve again. On the three-edged blade of the sixteenth-century poignard was a blood-stain more than a century old which nothing would efface.
This campanile is of more recent times than the church: it dates from the early days of Vladislav II, about the end of the fifteenth century. A sixteenth-century bell hangs in the campanile of St. Henry's Church; its inscription recalls the famous lines of Schiller's Die Glocke: "En ego campana, nunquam pronuntio vana, Ignam, vel festum, bellum, vel funus honestum."
The best likeness of Drake that I know is an engraving in Sir William Stirling-Maxwell's collection of sixteenth-century notabilities, representing him, as a scroll says at the foot of the plate, at the age of forty-three. The face is round, the forehead broad and full, with the short brown hair curling crisply on either side. The eyebrows are highly arched, the eyes firm, clear, and open.
It was indeed Erasmus's best work that was kept alive in the Moria and the Colloquies. With these his sparkling wit has charmed the world. If only we had space here to assign to the Erasmus of the Colloquies his just and lofty place in that brilliant constellation of sixteenth-century followers of Democritus: Rabelais, Ariosto, Montaigne, Cervantes, and Ben Jonson!
No end, if I may say so. Why he's bearing down on you now in all his glory." The noble lord was indeed marching toward them in a magnificent sixteenth-century costume of purple and gold, with a gold-hilted sword and a plumed cap, and manners to match. Indeed, there was something more than his usual expansiveness of bodily action in his appearance at that moment.
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