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Updated: June 11, 2025


It is a dear old sixteenth-century house, with networks of black oak beams, and lots of quaint bow-windows that look out on lovely lawns and flower-gardens, and box or holly hedges, and yew trees cut in fantastic shapes. We stayed one whole day and two nights. Wasn't it good of him to have us? In all the corridors there are carpets and curtains of the Chieftain's hunting tartan. I loved it.

Near the Sun Inn, high on the chalk hills five miles from Basingstoke, a lane turns left to Dummer, worth visiting for the sake of the old unrestored church dating mostly from the early thirteenth century. The old beams and the large sixteenth-century gallery have escaped "improvement." The oak pulpit is said to date from the early fifteenth century.

Yet it may be hinted that the elder son of a representative English House and heir of a sixteenth-century Marquisate, who is one of the most gallant and dashing among the many heroic defenders of our beleaguered town, proposes at no very distant date to lead to the altar one of the loveliest among the many lovely girls who grace Gueldersdorp's social functions.

Built for that shining life, for the sovereign display of a sixteenth-century prince, it was now deserted and empty, crumbling about the head of its last master, who had no servants left him to fill it, and would not have known how to pay for the materials which repairs would have necessitated.

Once he thought he heard something call, and stopped; but it was only the baying of a dog from the Red Farm, and he went on, muttering strange sixteenth-century curses, and ever and anon brandishing the rusty dagger in the midnight air. Finally he reached the corner of the passage that led to luckless Washington's room.

Somewhat in this mood, still early in the morning, I passed through Pontormo, the birthplace of the sixteenth-century painter Jacopo Carrucci, who has his name from this little town.

It stood on the other side of the hall between an Oriental cabinet and a sixteenth-century Italian cabinet for all the world as if it were standing in a crowded curiosity shop with the natural effect that the three pieces, by their mere incongruity, took something each from the beauty of the other.

"Galleting" dates back to Jacobean times, and is not to be found in sixteenth-century work. Sussex houses are usually whitewashed and have thatched roofs, except when Horsham slates or tiles are used. Thatch as a roofing material will soon have altogether vanished with other features of vanishing England.

Picturesqueness one may get in a variety of ways; ugly things that are strange, or unfamiliar to us, for instance, may be picturesque, such as a late sixteenth-century costume, or a Georgian house. Ruins, again, may be picturesque, but beautiful they never can be, because their lines are meaningless.

The sixteenth-century church with its sturdy embattled tower is interesting. In the doorway will be noticed the lid of a sarcophagus that has the presentment of an abbot carved upon it, but nothing to show who the one-time occupant was. Some old stained glass still remains in the windows and an archaic carving of the Trinity may be seen upon the wall of the tower.

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