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Updated: May 15, 2025


I have no money, but I live in the country: there are no restaurants and no cabmen, and money does not seem to be needed. MELIHOVO, April 13, 1895. I am sick of Sienkiewicz's "The Family of the Polonetskys." It's the Polish Easter cake with saffron. Add Potapenko to Paul Bourget, sprinkle with Warsaw eau-de-Cologne, divide in two, and you get Sienkiewicz.

In the third period Sienkiewicz is represented by two problem novels, "Without Dogma" and "Children of the Soil." The charm of Sienkiewicz's psychological novels is the synthesis so seldom realized and as I have already said, the plastic beauty and abstract thoughts.

In those stories the reader will meet frequent thoughts about general problems, deep observations of life and notwithstanding his idealism, very truthful about spiritual moods, expressed with an easy and sincere hand. Speaking about Sienkiewicz's works, no matter how small it may be, one has always the feeling that one speaks about a known, living in general memory work.

As for the description of duelings, fights, battles, Sienkiewicz's fantastically heroic pen is without rival. Alexandre Dumas, notwithstanding the biting criticism of Brunetière, will always remain a great favorite with the reading masses, who are searching in his books for pleasure, amusement, and distraction.

Sienkiewicz's analysis of life is not exclusively pathological, and we find in his novels healthy as well as sick people as in the real life. He takes colors from twilight and aurora to paint with, and by doing so he strengthens our energy, he stimulates our ability for thinking about those eternal problems, difficult to be decided, but which existed and will exist as long as humanity will exist.

The superiority of Sienkiewicz's talent is then affirmed by this fact of translation, and I would dare say that he is superior to the father of this kind of novels, on account of his historical coloring, so much emphasized in Walter Scott.

If we say that the great Hungarian author Maurice Jokay, who also writes historical novels, pales when compared with that fascinating Pole who leaves far behind him the late lions in the field of romanticism, Stanley J. Weyman and Anthony Hope, we are through with that part of Sienkiewicz's literary achievements.

Some other author would perhaps have stopped after producing "Quo Vadis," without any doubt the best of Sienkiewicz's books. But Sienkiewicz looks into the future and cares more about works which he is going to write, than about those which we have already in our libraries, and he renews his talents, searching, perhaps unknowingly, for new themes and tendencies.

But the last symptoms in the literature show us that the Stoicism is not sufficient for our generation, not satisfied with Marcus Aurelius's gospel, which was not sufficient even to that brilliant Sienkiewicz's Roman arbiter elegantiarum, the over-refined patrician Petronius.

In every one of Sienkiewicz's volumes people will deposit a great many personal impressions, part of their souls; in every one they will find them again after many years. There are three periods in Sienkiewicz's literary life. In the first he wrote short stories, which are masterpieces of grace and ingenuity at least some of them.

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