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In the last act Sélika, alone and dying, should see the paradise of the Brahmins appear as in a vision. But Faure wanted to appear again at the finale, so they had to adapt a bit taken from the third act and suppress the vision. This is the reason why Nelusko succumbs so quickly to the deadly perfume of the poisonous flowers, while Sélika resists so long.
He disregards the warning, distrusts his motives, and orders him to be shot; but before the sentence can be carried out, the vessel strikes and is boarded by the savages, who slaughter the commander and most of his men. The fourth act opens on the island which Selika pointed out on the map, and of which she is queen.
Shortly after the Paris performance it was brought out in London, with Mlle. Lucca in the part of Selika. Mme. Zucchi was one of the earliest representatives of the slave in this country. The scene of the opera is laid in Portugal and Africa, and the first act opens in the council chamber of the king of the former country.
They did not accomplish this, however, without considerable difficulty, without some incoherences, numerous suppressions and even additions. Perrin was the inventor of the wonderful map on which Sélika recognized Madagascar. They took the characters there in order to justify the term Africanne applied to the heroine.
The last act contains two scenes, the first in Selika's gardens, where there is a long and spirited duet between Inez and Selika. The second, known as "La Scene du Mancenillier," has a symphonic prelude in the form of a funeral march, based upon a fascinating melody, which is beyond question the finest of Meyerbeer's orchestral numbers in any of his works.
To save him from her subjects, she declares herself his spouse; but as the marriage rite is about to be celebrated, Vasco hears the voice of Inez in the distance, deserts Selika, and flies to her.
The terms given were one hundred thousand francs for six months. Meyerbeer, who entertained a great admiration for Sophie's talents, set to work on "L'Africaine" with redoubled zeal, for he destined the rôle of Selika for her. A fortnight ahead orchestra stalls were sold for two hundred francs, and boxes could not be obtained.
The second act opens with the quaint slumber-song ("In grembo a me") which Selika sings to Vasco in prison. It is oriental in color, and is broken here and there by a barcarole which Vasco murmurs in his sleep. In striking contrast with its dreamy, quiet flow, it leads up to a passionate aria ("Tranquillo e gi
Don Pedro, the President of the Council, takes advantage of his absence to press his own suit for the hand of Inez, and obtains the King's sanction to his marriage on the ground that Vasco must have been lost at sea. At this moment the long-lost hero returns, accompanied by two swarthy slaves, Selika and Nelusko, whom he has brought home from a distant isle in the Indian Ocean.
In the next act the nuptials of Selika and Vasco are on the point of being celebrated with great pomp, when the hero, who has throughout the opera wavered between the two women who love him, finally makes up his mind in favour of Inez. Selika thereupon magnanimously despatches them home in Vasco's ship, and poisons herself with the fragrance of the deadly manchineel tree.
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