Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 6, 2025
From this it was, that the place where any of them taught, and disputed, was called Schola, which in their Tongue signifieth Leasure; and their Disputations, Diatribae, that is to say, Passing of The Time.
The arches springing from them would be about 14ft. wide. I have not been able to find any fragments of the archivolt. The pilasters that supported the arches which crossed the schola have bases similar to the larger pilasters.
There was even a moment when the Schola took a decided share in the battle, and, through M. Charles Bordes, issued a manifesto Credo, as they called it about a new art founded on the ancient traditions of French music: "We wish to have free speech in music a sustained recitative, infinite variety, and, in short, complete liberty in musical utterance.
As the original pilasters on the north and south walls do not correspond with these piers, I am led to conclude that the schola and exedrae, north and south, were not vaulted at first, and were the only portion of the hall that was roofed, and that the roof was only of timber, supported by an arcade, the arches not exceeding 17ft. in height, and that the eaves of the roof of about 22ft. in height dipped towards the bath.
From the first soldered joint to baths on the north of the Great Bath. 3rd. Along the western end of the latter to baths on the south, and along the schola to the south circular bath of Lucas's. Beneath the mutilated sculpture is a second pedestal, or plinth, perfectly plain, with the upper surface sunk to a level corresponding with a similar indentation on the third step.
Ambition grew with success; and from the Schola sprang the École Supérieure de Musique, under the direction of Franck's most famous pupil, M. Vincent d'Indy. This school, founded on a solid knowledge, not only of the classics, but of the primitives in music, took from its very beginning in 1900 a frankly national character, and was in some ways opposed to German art.
An empty market wagon passed now and then, rumbling loud. On a bench a woman in a black knitted shawl, with a bundle of newspapers in her knees, was counting sous with loving concentration. Andrews looked at his watch. He had an hour before going to the Schola Cantorum.
Enclosing the bath all round the four sides are six steps, the sixth landing the bather on the Schola, or platform. The riser of the bottom steps varies in depth from 15in. to 11in., with a tread of 14in., the next riser is 14in. with a tread of 11in., as also is the next step and the one following. The step above has a rise of 12in., and a tread of 14in.
The vaulting of the side aisles, or rather that over the schola, was arched from pier to pier longitudinally and transversely, the quadrangular spaces being in all probability simply groined; but a fragment of box tiles found almost leads one to think that these spaces were vaulted by a domical vault, springing either from pendentives in the angles of the vaults, more common in later work, or from a slight cornice on a level with the apex of the arches.
Though obliged to retire to the south of France for his health's sake, he founded, in November, 1905, the Schola of Montpellier. This Schola has given about fifteen concerts a year, and has performed some of Bach's cantatas, scenes from Rameau's and Gluck's operas, Franck's oratorios, and Monteverde's Orfeo. In 1906 M. Bordes organised an open-air performance of Rameau's Guirlande.
Word Of The Day
Others Looking