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Updated: June 21, 2025
His compositions include: Suite for violin and orchestra, "Les Viellées de l'Ukraine," 1891; Concerto for cello, 1894; Divertissement for orchestra, 1895; "La Mort de Tintagiles," 1897; "Divertissement espagnol" for orchestra and saxaphone; "La Villanelle du Diable"; "A Pagan Poem"; "Hora mystica"; "Psalm 137"; "To One Who Fell in Battle"; Two rhapsodies for oboe, viola and pianoforte; String-sextet; String-quartet; Music for Four Stringed Instruments; Songs on poems by Baudelaire, Verlaine, Yeats, Rossetti, Lodge, Kahn, etc.
Somewhere anyhow, because long after every one else had gone, he came down-stairs with the Frenchman. I got one surprise just then all right. He's a private soldier, did you know that? Just a plain doughboy." "Overseas?" Mary asked. "As far as Bordeaux, with the Eighty-sixth. Saxaphone player with one of the artillery bands. In a way I'm rather glad of it.
Didn't I tell you so up there in Portland when we first met and you were doing a turn between six saxaphone players and a bunch of trained cockatoos?" She nodded, laughing, and returned to her rubbing. "You surely did, and fanned up the flame that was just a tiny spark then. Dear old press agent, I guess I'll have to change your name to the Bellows." Have you read the last blast I've given out?"
And from trombone and saxaphone ceaselessly whined a blended melody, sometimes riotous and jubilant, sometimes haunting and plaintive as a death-dance from the Congo's heart. "Let's dance," cried Ardita. "I can't sit still with that perfect jazz going on." Taking her hand he led her out into a broad stretch of hard sandy soil that the moon flooded with great splendor.
As a compliment to Adolph Sax he substituted a saxaphone for the bass clarinet which the author indicated. This resulted in the suppression of that part of the aria beginning O Paradis sorti de l'onde as the saxophone did not produce a good effect. Fétis also allowed Perrin to make over a bass solo into a chorus, the Bishop's Chorus. The great vocal range in this is poorly adapted for a chorus.
It is just such variety each material treated in a characteristic, and therefore different way that gives charm to so many foreign churches and cathedrals: walls of stone, floors of marble, choir-stalls of carved wood, and rood-screen of metal: it is the difference between an orchestra of various instruments and a mandolin orchestra or a saxaphone sextette.
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