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Updated: June 13, 2025
"Whom do you call the greatest painters of the school, uncle?" asked Malcom, as they entered a large hall opening from the corridor in which they had been standing. "Guido Reni and Domenichino merit that honor, I think. Domenichino died young, but painted some excellent pictures, notably the St. Jerome.
They studied long the Vatican and Capitol sculptures; went to the Barberini Palace to see Raphael's La Fornarina, so rich in color; and, close beside it, the pale, tearful face of Beatrice Cenci, so long attributed to Guido Reni, but whose authorship is now doubtful; to the doleful old church Santa Maria dei Capuccini, to see St.
The new frontier leaves Tobak and Bolgrad in Moldavia, and gives a piece of land near the Pruth in exchange to Russia.... The territory will be given over in two parts. The southern consists of Ismail, Kilia, Reni, and Bolgrad, as well as the delta of the Danube.
Guido Reni, Watteau, Leighton were they not perhaps somewhat pure romanticists; Rembrandt, Hogarth, Manet mainly realists; Botticelli, Titian, Raphael, a blend. Dumas pere, and Scott, surely romantic; Flaubert and Tolstoy as surely realists; Dickens and Cervantes, blended. Keats and Swinburne romantic; Browning and Whitman realistic; Shakespeare and Goethe, both. The Greek dramatists realists.
As you follow the Via S. Lorenzo upwards, you come presently on your left to the Piazza Umberto Primo, in which is the Palazzo Ducale, the ancient palace of the Doges, rebuilt finally in 1777; and at last, still ascending, you find yourself in the great shapeless Piazza Deferrari, with its statue to Garibaldi, while at the top of the Via S. Lorenzo on your right is the Church of S. Ambrogio, built by Pallavicini, with three pictures, a Guido Reni, the Assumption of the Virgin, and two Rubens, the Circumcision and S. Ignatius healing a madman.
Whatever may have been the cause of the artist's death, the effect upon her native city was overwhelming and the day of her burial was one of general mourning, the ceremony being attended with great pomp. She was buried beside Guido Reni, in the Chapel of Our Lady of the Rosary, in the magnificent Church of the Dominicans.
His 'Mary of Egypt standing by her open Grave' is a remarkable picture in the Dresden Gallery. Giovanni Francesco Barbiera, surnamed Guercino da Cinto, approached the school of the Caracci. In his art he resembled Guido Reni, with the same sweetness, greater liveliness, and fine chiaroscuro.
As the modern fable of Psyche closes the circle of the old mythology; so Painting, by giving a preponderance to the Soul, attained a new, though not a higher step of Art. This Guido Reni strove after, and became the proper painter of the Soul. Such seems to us to be the necessary interpretation of his whole endeavor, often uncertain, and, in many of his works, losing itself in the vague.
This statuette is a Praxiteles; this picture a Guido Reni; Benvenuto Cellini was the owner of this goblet; and this sword was that of Sultan Soliman. It was dusk, and the shadows of night were falling fast when I quitted the museum. My uncle and I returned to the narrow turret-room in which he had taken up his abode for the last seventy years and more.
Heir to the technical achievements of his predecessors, he is able to give his transcendent idea its supremely adequate expression. Content is perfectly matched by form. On this summit stand Michelangelo, Raphael, Leonardo. Then follow the Carracci, Domenichino, Guercino, Guido Reni, Carlo Dolci, men who mistake the master's manner for his meaning. The idea, the vital principle, has spent itself.
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