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Updated: May 24, 2025


And, again, in other modern quartets we find special technical devices undreamt of in earlier days. Borodine, for instance, is the first to systematically employ successions of harmonics. In the trio of his first quartet the melody is successively introduced by the 'cello and the first violin, altogether in harmonics.

That religious works had a great hold on his mind, appears from a letter to his publisher in after years in which he states that if he had an independent income he would write nothing but grand symphonies, church music and perhaps quartets. In another letter dated March 29, 1823, toward the close of his life, he stated his intention of writing three more masses.

One happy evening they spent with Josef Haydn who, after hearing some of Mozart's quartets played, took the father aside, saying: "I declare before God, as a man of honor, that your son is the greatest composer I know, either personally or by reputation. He has taste, but more than that the most consummate knowledge of the art of composition."

His last quartets are descriptive symphonies of his soul, and very differently carried out from Berlioz's symphonies. Wagner was able to analyse one of the former under the name of "A Day with Beethoven."

In the rendering of Bach's solos, Beethoven's concertos and quartets, he has no rival, and for the revival of many great works the musical world is indebted to him. This concerto bears evidence of having been written in a hurry.

In November of 1822 the Prince wrote Beethoven in the most flattering terms, asking him to compose three quartets at his own price, which were to be dedicated to him. Prince Galitzin was then living in state in St. Petersburg. His wife was a fine pianist, he himself a first-rate performer on the cello. They occupied a prominent position in the musical life of the city.

"I became very intimate," says he, "with a man who was a poet; he could neither read nor write; but he was a poet by nature, having a muse wonderfully glib at making triplets and quartets. He was nicknamed Tum Tai of the Moor.

When Viotti arrived in Paris in 1779, Giornowick started on his travels after having heard this new rival once. A distinguished virtuoso and composer, with whom Viotti had already been thrown into contact, though in a friendly rather than a competitive way, was Boccherini, who was one of the most successful early composers of trios, quartets, and quintets for string instruments.

Suavity, smoothness, piquancy, perfect balance between section and section, and each movement and the other movements these characterize all the later quartets. They were intended for chamber use only to play them in a large hall is criminal and it almost goes without saying that, after the hot stuff of Beethoven and even Schubert, more than a couple of them in an evening palls on one's palate.

It was a period of earnest endeavor, the compositions of which consist of the better class of piano music, as well as trios, quartets and occasional songs, his work being much in the style of Mozart and Haydn; the quality of emotional power and intellectuality not yet having appeared to any extent.

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