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Where he stood in the golden evening he saw the rosy curled mouth, the soft troubled eves, the little brown hands that still tried to fasten the rosebud, the young peach-like skin where the wind stirred the bodice; she was only a little Flemish peasant, this poor little Bébée, a little thing of the fields and the streets, for all the dreams of God that abode with her.
Here, for example, is the nutmeg, with its peach-like fruit; here the cinnamon, a tree whose foliage embraces the most delicate gradations of colour, from olive green to softest pink; there an aromatic gum tree, the dark-leaved coffee tree, the invaluable bread fruit, and scores of others beyond my botanical ken.
She insisted on wearing her little felt cap at a jaunty angle on her blond hair. When she entered the room, the atmosphere in it underwent a change; it was easier to breathe; it was fresher. People somehow disapproved of the fact that her eyes were so radiantly blue, and that her two rows of perfect white teeth were constantly shining from out between her soft, peach-like lips.
She is a brunette of the most pronounced type, with a skin like creamy velvet, just touched on either ripe cheek with a peach-like glow, and with lips like cherries. You know without seeing her laugh, that she has very white teeth. She is in no way inclined to show her white teeth laughingly this morning.
Cherry's face was not square, but a little pointed, piquant countenance, from which a pair of long-lashed gray eyes looked forth with saucy, mischievous brightness. Her skin was very fair, with a peach-like bloom upon it, and her pretty hair hung round it in a mass of red gold curls.
We will call them X., Y. and Z. Now X. is an American, Y. is an Englishman, whose peach-like countenance yet bears the newly healed scar of a bullet wound, and Z. is an Afrikander. Here begins the story: Upon a certain day of wind, rain and cloud, news came that the Boches were massing behind their lines for an attack, whereupon X., Y. and Z. were ordered to go up and verify this.
Speculators are like wasps; for when they have once got hold of a ripening and peach-like project, they keep it rigidly for their own swarm, and repel the approach of interlopers.
Sweetly turned, adolescent shoulders, blush-white, smooth and even as the petals of a Marquise Mortemarle; the strong, commonly turned shoulders, abundant and free as the fresh rosy pink of the Anna Alinuff; the drooping white shoulders, full of falling contours as a pale Madame Lacharme; the chlorotic shoulders, deadly white, of the almost greenish shade that is found in a Princess Clementine; the pert, the dainty little shoulders, filled with warm pink shadows, pretty and compact as Countess Cécile de Chabrillant; the large heavy shoulders full of vulgar madder tints, coarse, strawberry-colour, enormous as a Paul Neron; clustering white shoulders, grouped like the blossoms of an Aimée Vibert Scandens, and, just in front of me, under my eyes, the flowery, the voluptuous, the statuesque shoulders of a tall blonde woman of thirty, whose flesh is full of the exquisite peach-like tones of a Mademoiselle Eugène Verdier, blooming in all its pride of summer loveliness.
What I mean to say is this: whilst no man could have denied, for instance, that Val Beverley was a charmingly pretty woman, nine critics out of ten must have failed to classify this golden Spaniard correctly or justly. Her complexion was peach-like in the Oriental sense, that strange hint of gold underlying the delicate skin, and her dark blue eyes were shaded by really wonderful silken lashes.
Speculators are like wasps; for when they have once got hold of a ripening and peach-like project, they keep it rigidly for their own swarm, and repel the approach of interlopers.
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