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Updated: May 1, 2025
I know people by their friends, and he went about with Virgil, so I said with some severity, "No, Dante, il naso della Signora Robinson e vero, ma non e bello"; and he admitted I was right. Beatrice's name is Towler; she is waitress at a small inn in German Switzerland. I used to sit at my window and hear people call "Towler, Towler, Towler," fifty times in a forenoon.
Of which race there were few that looked the ptisane, but all of them were perfect lovers of the pure Septembral juice. Naso and Ovid had their extraction from thence, and all those of whom it is written, Ne reminiscaris.
I sleep not I eat not and every sign of love which hath been adduced by Ovidius Naso, whom I have diligently collated, do I find in mine own person. Speak, then, maiden. I have given vent to my feelings, do thou the same, that I may return, and leave not my flock without their shepherd. Speak, maiden." "I will, sir, if you will get up," replied Mary, who paused, and then continued.
The visitor continued: “I found that Horace tasted very much like Aristotle; you know I am fond of variety. Terentius I could not have told from Menander. Naso, to my astonishment, was Nicander in disguise. Virgilius had a strong twang of Theocritus. Martial put me much in mind of Archilochus and Titus Livius was positively Polybius and none other.”
Speaking of the most frequent faults of tone-production, Tosi remarks: "The voice of the scholar should always come forth neat and clear, without passing through the nose or being choked in the throat." Mancini also speaks of the faults of nasal and throaty voice: "Un cantare di gola e di naso."
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