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Updated: May 1, 2025


Then the blind man requested him to tell how the rescue of the statue had been managed, and the account of the extremely prosaic artisan described so clearly and practically how, on entering the burning building, he found Myrtilus's studio already inaccessible, but the statue of Demeter in Hermon's still uninjured, that the trustworthiness of his story could not be doubted.

The artist thought that fever had driven the wounded warrior from his couch, as it formerly did his fellow-pupil Lycon, whom, in the delirium of typhus, he could keep in bed only by force. So he led the Gaul carefully back to the couch he had deserted, and, after moistening the bandage with healing balm from Myrtilus's medicine chest, ordered him to keep quiet.

Seventeen men, by the exertion of all their strength, were dragging the heavy statue from the house, which was almost on the point of falling in, into the square. Several others were bearing corpses into the open air- the old porter Snuphis and Myrtilus's body servant. Some motionless forms they were obliged to leave behind. Both the bodies had deep wounds. There was no trace of Myrtilus and Bias.

The Egyptian Chello, the Tennis goldsmith, who had assisted the artists in the preparation of the noble metal, and one of the police officers who had been summoned to rid the old house of the rats and mice which infested it, both knew the way. They must first try to save Myrtilus's work and, when that was accomplished, preserve his also from destruction by the flames.

She checked Myrtilus's words with an imperious "Let me alone!" The next day she had paced restlessly up and down the deck like a caged beast of prey, and would permit no one to speak to her. At noon Hanno was about to get into a boat to go to her father's ship, and she insisted upon accompanying him.

Neither Bias nor Myrtilus had ever been allowed to remain on shore; but, on the whole, the slave protested, Myrtilus's health, thanks to the pure sea air on the Hydra, had improved, in spite of the longing which often assailed him, and the great excitements to which he was sometimes exposed.

This oath required the slave, who, three days after their landing, was sent to Alexandria by the first ship that sailed for that port, to maintain the most absolute secrecy concerning Myrtilus's hiding place until he was authorized to speak.

Then the blind man requested him to tell how the rescue of the statue had been managed, and the account of the extremely prosaic artisan described so clearly and practically how, on entering the burning building, he found Myrtilus's studio already inaccessible, but the statue of Demeter in Hermon's still uninjured, that the trustworthiness of his story could not be doubted.

While some were shattering his statues to carry away in sacks the gold and ivory which they contained, others were to force their way into Myrtilus's workroom, which was on the opposite side of the house. There they would find the second statue; but this they must spare, because, on account of the great fame of its creator, it was more valuable than the other.

She checked Myrtilus's words with an imperious "Let me alone!" The next day she had paced restlessly up and down the deck like a caged beast of prey, and would permit no one to speak to her. At noon Hanno was about to get into a boat to go to her father's ship, and she insisted upon accompanying him.

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