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Updated: May 29, 2025
The fact of the matter is that the rhinoceros is neither animated by the implacable man-destroying passion ascribed to him by the amateur hunter, nor is he so purposeless and haphazard in his rushes as some would have us believe. On being disturbed his instinct is to get away. He generally tries to get away in the direction of the disturbance, or upwind, as the case may be.
Some went mad, and still others, under the irk of the man-destroying strain, broke partnerships and dissolved life-time friendships with fellows just as good as themselves and just as strained and mad. Work! Old Tarwater could shame them all, despite his creaking and crackling and the nasty hacking cough he had developed.
And the king also enquired after the extent of that man-destroying Daitya's prowess, and the reason also of the illustrious Agastya's wrath being excited against that Asura. "Thus questioned, Lomasa said, 'O son of Kuru race, there was in the city called Manimati, in days of yore, a Daitya named Ilwala, whose younger brother was Vatapi.
Of a man he is made a soldier, which is a man-destroying machine in two senses, a thing for the prosecuting or repelling an invasion like the block of stone in the fortress or the plate of iron on the side of the Monitor. They are alike. I have tried in vain to define a difference, and I see only this.
"'Just keep this to yourself for one month, he said, 'and I'll send you the biggest, the reddest, the most dangerous, noisy, horse-frightening, man-destroying, high-stepping, high-smelling what do you call it Manton? in the whole United States. "'Oh, Mr. Collenquest, I couldn't do that, I said. "Then he got frightened all over again. "'Why not? he demanded. 'Why not?
And the king also enquired after the extent of that man-destroying Daitya's prowess, and the reason also of the illustrious Agastya's wrath being excited against that Asura. "Thus questioned, Lomasa said, 'O son of Kuru race, there was in the city called Manimati, in days of yore, a Daitya named Ilwala, whose younger brother was Vatapi.
But perhaps the most interesting find was the remains of a great wall-painting in which a mighty bull is represented charging at full speed, while an athlete, clinging to the monster's horn with one hand, vaults over his back a picture which is the first important example of the now well-known and numerous set of similar representations which have given us a clue to something of the meaning of the old legend of the man-destroying Minotaur and his tribute of human victims.
He went whistling out of the door, and she followed him with confused feelings of anger, pride, joy, and fear. She went to a side window and saw him go fearlessly into the corral where the man-destroying El Sangre was kept. And the big stallion, red fire in the sunshine, went straight to him and nosed at a hip pocket. They had already struck up a perfect understanding. Deeply she wondered at it.
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