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Updated: June 20, 2025


"But, my dear Baron, everybody goes to the Chamber of Horrors," said he. "Why, I myself have taken the noblest ladies there, and precisely to hear that song of Legras, which is no worse than anything else." "Ah! you hear what Duthil says!" cried Silviane. "He's a deputy, he is, and he wouldn't go there if he thought it would compromise his honorability!"

She had already staggered to her feet and was arranging her hair before a looking-glass. "I used to live at Montmartre," she said, "and it'll amuse me to go back there. And, besides, I want to know if this Legras is a Legras that I knew, oh! ever so long ago! Come, up you get, and let us be off!" "But, my dear girl," pleaded Duvillard, "we can't take you into that den dressed as you are!

To have allowed her to drag him to that vile den, to have waited there hopefully so long, and to be treated in this fashion for the sake of a Legras! No, no, he, the Baron, had had enough of it, and she should pay dearly for her abominable conduct! Then he stopped a passing cab and pushed Gerard inside it saying, "You can set me down at my door."

Legras had just appeared on the platform. He was a pale sturdy fellow with a round and carefully shaven face, stern eyes, and the powerful jaws of a man who compels the adoration of women by terrorising them. He was not deficient in talent, he sang true, and his ringing voice was one of extraordinary penetration and pathetic power.

She had already staggered to her feet and was arranging her hair before a looking-glass. "I used to live at Montmartre," she said, "and it'll amuse me to go back there. And, besides, I want to know if this Legras is a Legras that I knew, oh! ever so long ago! Come, up you get, and let us be off!" "But, my dear girl," pleaded Duvillard, "we can't take you into that den dressed as you are!

Meantime, pending the arrival of Legras with his "Flowers of the Pavement," two female vocalists had followed one another on the stage, the first fat and the second thin, one chirruping some silly love songs with an under-current of dirt, and the other shouting the coarsest of refrains, in a most violent, fighting voice.

And Silviane, whose intoxication seemed to have increased since she had been there, in the depths of that fiery furnace, made herself particularly conspicuous by the manner in which she clapped her hands and shouted: "It's he, it's my Legras! I really must kiss him, he's pleased me so much!" Duvillard, now fairly exasperated, wished to take her off by force.

Meantime, pending the arrival of Legras with his "Flowers of the Pavement," two female vocalists had followed one another on the stage, the first fat and the second thin, one chirruping some silly love songs with an under-current of dirt, and the other shouting the coarsest of refrains, in a most violent, fighting voice.

All the lust and vice that crowd the streets of the great city appeared with their filth and their poison; and amid the picture of Woman stripped, degraded, ill-treated, dragged through the mire and cast into a cesspool, there rang out the crime of the /bourgeoisie/. But the scorching insult of it all was less in the words themselves than in the manner in which Legras cast them in the faces of the rich, the happy, the beautiful ladies who came to listen to him.

Just as the assembly was at last becoming calmer, Rosemonde perceived that the box was emptying; and her own curiosity being satisfied, she thought of prevailing on Hyacinthe to see her home. He, who had listened to Legras in a languid way without even applauding, was now talking of Norway with Bergaz, who pretended that he had travelled in the North.

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