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Updated: May 18, 2025
The age that could accept such a prodigy, of course found no difficulty in the vision of Constantine and the story of the Labarum. Such was the tendency of the times to adulterate Christianity with the spirit of paganism, partly to conciliate the prejudices of worldly converts, partly in the hope of securing its more rapid spread.
The Labarum was a long pike, topped with a crown of gold, inclosing a monogram expressive of the cross and the two initial letters of the name of Christ, and intersected by a transverse beam, from which hung a silken vail curiously inwrought with the images of the reigning monarch and his children.
His throne of state was encircled with the military ensigns of Rome and the republic; the holy name of Christ was erased from the Labarum; and the symbols of war, of majesty, and of pagan superstition, were so dexterously blended, that the faithful subject incurred the guilt of idolatry, when he respectfully saluted the person or image of his sovereign.
In the same way, when Constantine won the battle of the Milvian Bridge, with his men fighting under the standard of the Labarum, it was subsequently found that the economic capital of civilization had silently migrated from the Tiber to the Bosphorus, where Constantine seated himself at Constantinople, which was destined to be the new capital of the world for about eight hundred years.
Marcus Aurelius died in 180 A.D. Substantially a century later, in 312, Constantine won the battle of the Milvian Bridge with his troops fighting under the Labarum, a standard bearing a cross with the device "In hoc signo vinces"; By this sign conquer. Probably Constantine had himself scanty faith in the Labarum, but he speculated upon it as a means to arouse enthusiasm in his men.
The solemn epithets of, safety of the republic, glory of the army, restoration of public happiness, are equally applied to the religious and military trophies; and there is still extant a medal of the emperor Constantius, where the standard of the labarum is accompanied with these memorable words, By This Sign Thou Shalt Conquer.
One would imagine from all this that there was only one labarum. Many different kinds are, however, represented upon the coins of Constantine; as also almost every variety of ordinary cross, except, perhaps, such as might conceivably have been a representation of an instrument of execution, like that which has since come into vogue among us.
It is marked with the Labarum, the oldest sacred monogram of Christianity, which Constantine believed he saw in a vision, and placed upon his victorious standard and his coins, with the motto “In hoc signo vinces!” This ring came from the Roman sepulchre of an early Christian, and the hand for which it was originally fashioned may have aided in the conquering war of the first Christian emperor; or may have been convulsed in an agonising death, “thrown to the beasts” of the circus, but reposing after death with the first martyrs to the faith.
The safety of the labarum was intrusted to fifty guards, of approved valor and fidelity; their station was marked by honors and emoluments; and some fortunate accidents soon introduced an opinion, that as long as the guards of the labarum were engaged in the execution of their office, they were secure and invulnerable amidst the darts of the enemy.
But the principal standard which displayed the triumph of the cross was styled the Labarum, an obscure, though celebrated name, which has been vainly derived from almost all the languages of the world. It is described as a long pike intersected by a transversal beam. The silken veil, which hung down from the beam, was curiously inwrought with the images of the reigning monarch and his children.
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