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Updated: June 18, 2025


In the yellow rays of the early sun, the spruce on the river bank looked like a screen of carved bronze, while the slender stems of birches in front of the spruce looked like an inlaying of old ivory upon the bronze, the whole set upon its pedestal of marble-like snow.

I think I have not yet mentioned the rich carvings of the old oaken seats round the choir, and the curious mosaic of lighter and darker woods, by which figures and landscapes are skilfully represented on the backs of some of the stalls. The process seems to be the same as the inlaying and engraving of the pavement, the material in one case being marble, in the other wood.

The women are stout, well-built persons, with thick arms and legs; their heads incline to the bullet shape; the lip-rings are small; the tattoo a mixture of Makoa and Waiyau. Fine blue and black beads are in fashion, and so are arm-coils of thick brass wire. Very nicely inlaid combs are worn in the hair; the inlaying is accomplished by means of a gum got from the root of an orchis called Nangazu.

Their work as displayed in braziers, incense-holders, flower-vases, lanterns, and various other articles evinces great skill, while the effects often produced by the artists in the inlaying and overlaying of metals with a view of producing a variegated picture has long been the wonder and admiration of the Western world.

A foreign friend once pointed it out to me, in the skeleton of a foe he had slain, and with the vertebrae of which he was inlaying, in a sort of basso-relieve, the beaked prow of his canoe. Now, I consider that the phrenologists have omitted an important thing in not pushing their investigations from the cerebellum through the spinal canal.

Moonlight pierced the foliage, silvering everything and inlaying the earth with the delicate tracery of branch and leaf. Moonlight still silvered her face when she awoke. After a while the shadow slipped from his face, too. "Kay?" she whispered. "Yes, Yellow-hair." And, after a little while she turned her face to his and her lips rested on his. Lying so, unstirring, she fell asleep once more.

Of the smaller articles of furniture, the "bellows" and wall brackets of this period deserve mention; the carving of these is very carefully finished, and is frequently very elaborate. The illustration on page 51 is that of a pair of bellows in the South Kensington collection. The enrichment of woodwork by means of inlaying deserves mention.

The stuffs used should be as nearly as possible of one substance. In patchwork of loosely-textured material each separate piece of stuff may be cut large, turned in at the edge, and oversewn on the wrong side. The relation of CUT-WORK to inlay is clear in fact, the one is the first step towards the other. You have only to stop short of the actual inlaying, and you have cut-work.

Ivory inlaying was largely executed in Milan and Venice; mosaics of marble were specialites of Rome and of Florence, and were much applied to the decoration of cabinets; Venice was busy manufacturing carved walnutwood furniture in buffets, cabinets, Negro page boys, elaborately painted and gilt, and carved mirror frames, the chief ornaments of which were cupids and foliage.

The fashion for elaborate ceilings and sidewalls had come to England via Italy and France. The most elaborate ones of those times were executed under Charles II and William III, the ceilings rivalling those of Louis XIV. A sure sign of the William and Mary period is the presence of jasmine, as designed for inlaying in bone, ivory or hollywood.

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