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James I. says that the devil, when appearing to men, frequently assumed the form of a person newly dead, "to make them believe that it was some good spirit that appeared to them, either to forewarn them of the death of their friend, or else to discover unto them the will of the defunct, or what was the way of his slauchter.... For he dare not so illude anie that knoweth that neither can the spirit of the defunct returne to his friend, nor yet an angell use such formes."

If a painter swelled his canvas out and in according to the convexities and concavities of his model, or if a sculptor overlaid his material with authentic flesh-tints, then you would demand that the painted or sculptured figure should blink, or stroke its chin, or kick its foot in the air. That it could do none of these things would rob it of all power to illude you.

The longer we gaze, the more surely does the picture illude us and enthral us, steeping us in that tragedy of 'the fruitless crown and barren sceptre. We forget all else, watching the unkind witches as they await him whom they shall undo, driving him to deeds he dreams not of, and beguiling him, at length, to his doom.

The aim of art is so to imitate life as to produce in the spectator an illusion of life. Wax-works, at best, can produce no such illusion. Don't pretend to be illuded. For its power to illude, an art depends on its limitations. Art never can be life, but it may seem to be so if it do but keep far enough away from life. A statue may seem to live. A painting may seem to live.

"Yet some have the hardihood to affirm that there is no longer any Inquisition; and as the Inquisitors were instructed to suppress the truth, to deny their knowledge of cases actually passing through their hands, and to fabricate falsehoods for the sake of preserving the SECRET, because the secret was absolutely necessary to the preservation of their office, so do the Inquisitors in partibus falsify and illude without the least scruple of conscience, in order to put the people of this country off their guard.

Little by little, as I came nearer, she ceased to illude me, and I began to think of her as 'it. What 'it' was, however, I knew not until I was at quite close quarters to the pedestal it rose from. There, on the polished granite, was carved this legend: A UMBERTO IO