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It was due to the rapacity of the Greek commander, who, scorning no gain, however small, was seizing upon the funds of the trade guilds; this morning the common chest of the potters had been pillaged, not without resistance, which resulted in the death of a soldier; the slayer had fled to St. Cecilia's church, and taken sanctuary.

But the artisans of the towns were soon grouped into powerful organizations, called guilds, so carefully managed and so well disciplined that they dominated every craft and controlled every detail in every trade. The relation of master to journeyman and apprentice, the wages, hours, quantity, and quality of the output, were all minutely regulated.

These literary guilds befitted and denoted a people which was alive, a people which had neither sunk to sleep in the lap of material prosperity, nor abased itself in the sty of ignorance and political servitude. The spirit of liberty pervaded these rude but not illiterate assemblies, and her fair proportions were distinctly visible, even through the somewhat grotesque garb which she thus assumed.

Many crowded about the scaffold, and dipped their handkerchiefs in the blood, to be preserved afterwards as memorials of the crime and as ensigns of revenge. The bodies were afterwards delivered to their friends. A stately procession of the guilds, accompanied by many of the clergy, conveyed their coffins to the church of Saint Gudule.

Rembrandt painted Bible stories for whoever would purchase them. Van Dyck painted the portraits of kings and nobles. Hals painted the rough soldiers and sailors, singly, or in the great groups into which they formed themselves as Guilds. For the first time in the history of painting, neither Church nor Court were its patrons.

Besides the troubles caused by the jealousy of other towns, intestine disputes arising out of the perpetual contest between labour and capital went on from year to year within the walls of Ypres. There, as in the other Flemish towns, a sharp line was drawn between the working man, by whose hands the linen was actually woven, and the merchants, members of the Guilds, by whom it was sold.

It is no wonder, then, that the guilds, which had found favor formerly, should gradually be crushed, in proportion as the rulers sought to check the spirit of reform. Among the authors of this period may be mentioned Everaert and Machet. The refrain was much cultivated, and not, like the drama, for the expression of dissatisfaction.

The body was to be taken from Sandsgaard and laid in the church, where Dean Sparre was to deliver a discourse, while the chaplain was to conduct the funeral service at the cemetery. All the different guilds were to follow with their banners, and the town band was busy practising till late at night. Jacob Worse did not take any part in all this.

When, however, he returned to England, he concluded that the honorary or Accepted Masons, received by the Masonic guilds of England, were better suited to his purpose. Some of these were already Rosicrucians, and among them he set to work. In the year 1644 he presided over a Rosicrucian assembly at which Ashmole was present.

Like everything mediaeval, it ramified back to a root in religion; and was a sort of small copy of the Christian idea of man's creation. Man was free, not because there was no God, but because it needed a God to set him free. By authority he was free. By authority the craftsmen of the guilds were free.