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Updated: May 11, 2025
The name of the city survives, at a spot just three miles north of the lake of Riblah. The battle itself I have described from the Epos of Pentaur, the national epic of Egypt. It ends with these words: "This was written and made by the scribe Pentaur." It was so highly esteemed that it is engraved in stone twice at Luqsor, and once at Karnak.
Italian soil gave birth in ancient times to burlesque tragedy, and in modern times to mock-heroic poetry. In rhetoric and histrionic art especially no other nation equalled or equals the Italians. But in the more perfect kinds of art they have hardly advanced beyond dexterity of execution, and no epoch of their literature has produced a true epos or a genuine drama.
If it be an epos, the actors in it are not men and women, but ferrets with here and there, of course, a stray rabbit, on whose brains they may feed. It is the inhuman mirror of an inhuman age, in which the healthy human heart can find no more interest than in a pathological museum. That last, indeed, "Gil Blas" is; a collection of diseased specimens.
That such may be the case with literature, particularly the more ephemeral kinds thereof, is very likely, since literature, save in the great complex structures of epos, tragedy, choral lyric, is but the development of daily speech, and possibly as upstart, as purely passing, as daily speech itself; moreover, in its less artistic forms, requiring little science or apprenticeship.
The ludicrous epopee has, it is true, been styled a peculiar species, but it is only an accidental variety, a mere parody of the epos, and consists in applying its solemn staidness of development, which seems only suitable to great objects, to trifling and insignificant events.
The lyrical poetry and tragedy of Hellas grew out of songs similar to the festal lays of Rome; the ancestral lay contained the germs of epos, the masked farce the germs of comedy; and in this field also Grecian influences were not wanting. In such circumstances it is the more remarkable that these germs either did not spring up at all, or were soon arrested in their growth.
Italian soil gave birth in ancient times to burlesque tragedy, and in modern times to mock-heroic poetry. In rhetoric and histrionic art especially no other nation equalled or equals the Italians. But in the more perfect kinds of art they have hardly advanced beyond dexterity of execution, and no epoch of their literature has produced a true epos or a genuine drama.
He could not help saying: "Here is the epos you Athenians want me to treat, that my artist soul forces me to treat; here are the ideas that make up your conventional religion; now look at them!"
In that dim Niflheim, for instance, with its well-springs of the waters of the upper world confusedly bubbling, and its metallic ore-veins, and dusk, vaporous atmosphere, whence issued the old Nibelungen heroes of the great Teutonic epos, there is much that is suggestive. May not one discover in this old cosmogonic myth a dim hint of the nebular hypothesis of creation, as it is called?
It explains how the apples get into the dumpling; how the milk comes out of the cocoanut; how the deficit issues from the surplus; how matter evolves itself from nothing. It renders the hypothesis of a First Cause not only unnecessary, but exquisitely ludicrous. Under such dry light as it offers to our intelligence the whole epos of Christianity seems a vapid dream. But I anticipate conclusions.
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