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I have said nothing of Enobarbus or of Eros, the fugitive once ruined by his flight and again redeemed by the death-agony of his dark and doomed repentance, or the freedman transfigured by a death more fair than freedom through the glory of the greatness of his faith: for who can speak of all things or of half that are in Shakespeare? And who can speak worthily of any?
Nicely put, no doubt; but the importance of a departure depends very much on the "Ha-a-a-a-a-a-ay!" No appearance, your worship. Call for Enobarbus; he will not hear thee, or, from Caesar's camp, say 'I am none of thine. On the value of the departed.
And finish all foul thoughts. The metaphors here, though instinctive rather than habitual, are excessive even for the dying speech of Enobarbus. The style is the worst model for prose, yet it has persisted as a mere habit in the prose of writers who fear to be prosaic and who are prevented by that habit from saying even what they have to say.
It comes with something of a shock to remember that this medley of poetry, bombast, and myth will eventually reach the ears of no other person than the Octavius of Antony and Cleopatra; and the contrast is the more remarkable when one recalls the brilliant scene of negotiation and diplomacy in the latter play, which passes between Octavius, Maecenas, and Agrippa on the one side, and Antony and Enobarbus on the other, and results in the reconciliation of the rivals and the marriage of Antony and Octavia.
It was under her care, between a barber and a ballerine, amid the shamelessness of his stepfather's palace, where any day he could have seen his mother beckon indolently to a centurion and pointing to some lover who had ceased to please, make the gesture which signified Death, that the young Enobarbus Nero, as he subsequently called himself was trained for the throne.
Some of them followed the barge all along the river side; others also ran out of the city to see her coming in. So that in the end there ran such multitudes of people one after another to see her, that Antonius was left post alone in the market-place, in his imperial seat to give audience." NORTH'S Plutarch, Life of Antonius, p. 763. Ed. of 1676. Enobarbus.
In Shakespeare's Hamlet and Enobarbus, in Fielding's Squire Western, in Walter Scott's Edie Ochiltree and Meg Merrilies, in Balzac's Pere Goriot and Madame Marneff, in Thackeray's Colonel Newcome and Becky Sharp, in Turguenieff's Bazarof and Dimitri Roudine, we meet persons who exhaust for us the groups to which they severally belong.
But in proportion as Caligula became more and more fervid in this adoration of his dead sister, the disagreement between himself and his other two sisters became more embittered. Julia Livilla was exiled in 38; Agrippina, the wife of Domitius Enobarbus, in 39, and about this same time the venerable Antonia died.
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