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Updated: June 28, 2025


It was easy to be sure that such simple things had not been within Matilde's reach, and it was Elettra's duty to go to the pantry where coffee was made, and to bring the little tray to Veronica's room. At night, the young girl had a glass of water and a biscuit set beside her, when she went to sleep, but she rarely touched either.

She must have uttered an unconscious exclamation, just as she awoke, for in a moment the door opened and she heard Elettra's voice asking her if she needed anything, but in a tone so anxious and changed that it seemed to Veronica to belong to her dream rather than to any reality. "Are you there?" she asked, in the darkness, surprised that the woman should have come in so unexpectedly.

If I had not found the rat-poison under the chest of drawers in Elettra's room, you might have thrown suspicion upon her, because her husband was murdered at Muro. If I had not found my tea too sweet, I should not have taken out the second piece and given it to the cat. The taste I had of it almost killed me you have explained the rest to me now. But I knew all that I needed to know."

She knew the story of Elettra's husband very well, and of how he had been murdered by peasants near Muro in trying to collect the exorbitant rents Macomer had attempted to exact.

Some time passed before she answered, and then it was by a vague question. "Well?" Again they looked at each other. "That is certainly bad," said Macomer, thoughtfully. "What are we to do? Speak to her about it? You can say that you found Elettra's door open, at this hour." "It would do no good," answered Matilde. "We could not prevent her from having her maid there, if she wishes it."

"But it is becoming a habit. It may serve us in the end. How do you know that the woman sleeps in Veronica's dressing-room?" "I was wandering about, just now," answered Matilde, looking away from him. "I saw the door of Elettra's room ajar. I pushed it open and looked in, and I saw that her bed was not disturbed. Then I stood outside the door of Veronica's dressing-room, and listened.

A march must necessarily be introduced here, so I have composed a very simple one for two violins, tenor, bass, and two hautboys, to be played a mezza voce, and during this time the King appears, and the Priests prepare the offerings for the sacrifice. The King then kneels down and begins the prayer. In Elettra's recitative, after the underground voice has spoken, there ought to be marked exeunt.

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