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After witnessing the departure of the Prince, we sat a breathing space on the lawn at the Yacht Club and watched the day fading, "Evening falling, shadows rising," and the ladies dresses growing faint in colour, as the background of the Bay and the white men-of-war became less distinct; the golden evening light crept up the lateen sails in front of us and left them all grey, and the moon rose beyond the Bay, and the club lamps were lit, and the guns began to play vivid flashes of flame; and a roar round the fleet, straight in our faces, and again far over to Elephanta, yellow flashes in the violet twilight, and the Prince came ashore.

Their heads are of a round shape; compact foreheads, but not particularly receding; the alae nasi are flattened out; lips full, and with the women a small lip-ring just turns them up to give additional thickness. Their style of beauty is exactly that which was in fashion when the stone deities were made in the caves of Elephanta and Kenora near Bombay.

He would not deign to examine even the masterpieces of Elephanta, or the mysterious hypogea, concealed south-east from the docks, or those fine remains of Buddhist architecture, the Kanherian grottoes of the island of Salcette. Having transacted his business at the passport office, Phileas Fogg repaired quietly to the railway station, where he ordered dinner.

"Rhemba was born of the sea, and is the Indian Venus; Cama is Cupid; Parvati, whose image you saw at Elephanta, is Ceres; and so on to the end of the chapter. These divinities are represented in the temples, but they are without form or comeliness." "They are not much like the beautiful statues of the Greeks," added Louis.

The scenes of Bombay recalled his once ambitious youth, the days when he first delightedly gazed upon the wonders of Elephanta, and the gloomy grottoes of Salcette.

On a sculptured slab, that once formed a portion of the architrave of the Cave Temple at Elephanta, was a splendid marble miniature, four feet high, of that miracle of Saracenic architecture, the Taj Mahal at Agra.

No: nor were the great grottos of Elephanta hewn out in an hour; nor did the Troglodytes dig Kentucky's Mammoth Cave in a sun; nor that of Trophonius, nor Antiparos; nor the Giant's Causeway. Nor were the subterranean arched sewers of Etruria channeled in a trice; nor the airy arched aqueducts of Nerva thrown over their values in the ides of a month.

Such a figure, carved in stone, may be seen in the island Cave of Elephanta, near Bombay, India, and is popularly believed to represent the Creator, Preserver and Destroyer; but, in determining their true signification, we must be governed by the ancient teachings that "All things were made by one god-head with three names, and this God is all things."

What deadly voids and unbidden infidelities in the lines that seem to gnaw upon all Faith, and refuse resurrections to the beings who have placelessly perished without a grave. As well might those tablets stand in the cave of Elephanta as here.

Whereas in Karli everything is built and carved after a perfect plan, in Elephanta it seems as if thousands of different hands had wrought at different times, each following its own ideas and fashioning after its own device. All three caves are dug out of a hard porphyry rock. The first temple is practically a square, 130 feet 6 inches long and 130 feet wide.