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Updated: May 11, 2025


In the same way the story and dramatization were intimately related to the reading and the language, but there were formal lessons in reading and formal lessons in language. The geography illustrated nature study and employed language and arithmetic and drawing in its exercises.

In some of the modern ceremonials, as that of the Bear-Puma dramatization in the Snake dance, a reed cigarette is used, ancient forms of which have been found in sacrificial caves, and there seems no doubt that this pipe is simply a clay form of those reeds. The markings on the collar would by this interpretation indicate the former existence of a small fabric wrapped about it.

Did the dramatization of the life of Jesus set forth its meaning more clearly and conclusively than talking and preaching could possibly do as a shadowy following of the command "to do the will"?

The same may be noticed in the plays in which he drew his subject from classical legend. Love's Mistress is the appropriate and attractive title of a dramatization of the last-born fancy of the mythopoeic spirit of Greece, Apuleius' tale of Cupid and Psyche.

+532+. On the other hand, the North American voluntary societies are mainly concerned with the presentation of religious ideas by the dramatization of myths, and by demanding for membership some sort of religious experience. How far such societies existed in the Eastern tribes it is not possible to say.

An actor, dropping into Wallace's late one evening for the after-work rarebit, overheard fragments of ah argument about the relative merits of the mince pies of certain of the city's hotels and refectories. He was playing at the time in the dramatization of Mr.

Similar in plot to this last is a fragmentary pastoral of Giraldi Cintio's published from manuscript by Signor Carducci. Another curious but isolated experiment is Cintio's Egle, in intent a revival of the 'satyric' drama of the Greeks, in substance a dramatization of the motive of Sannazzaro's Salices.

Even though he is to be credited with the first modern dramatization of the Nibelungen story, The Hero of the North , and though he took subjects from the Germanic past and from the chivalric days, he brought no new life to his rehabilitations. Fouqué was too productive, too facile, too external, too indifferent to psychological motivation to be real. He diluted Romanticism and sentimentalized it.

The play that night was "Kenilworth," and had been cast to admit some alterations made in the dramatization by Madame Orme, who frequently introduced startling innovations in her rendering of her parts, and in almost all her favourite rôles refused rigid adherence to the written text.

The fact that she had confessed having had no stage experience had not even deterred him. The new play was to be chiefly for young people and the manager particularly required youthful actors and actresses. The play to be produced was the dramatization of a wonderful old Bohemian fairy story, which Polly remembered to have read years before, called "The Castle of Life."

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