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Updated: June 8, 2025
"Intanto la prima parte del corteo ritorna da piazza VIII Agos to e i dimostranti, aumentati ancora di numero ripetono le acclamazioni dinanzi alla sede della Fratellanza Americana. "Piazza Garibaldi e gremita. Intorno al monumento dell'eroe si dispongono le bandiere e le rappresentanze e vengone pronunciati altri discorsi.
The neglect of that ruined the princes of Italy and enabled Charles VIII. to conquer the fairest of European kingdoms with wooden spurs and a piece of chalk. In the Discorsi, lib. i. cap. 55, he calls Italy 'la coruttela del mondo, and judges that her case is desperate; 'non si può sperare nelle provincie che in questi tempi si veggono corrotte, come è l' Italia sopra tutte le altre.
Non disperate; lasciate che Wilson rinsavisca! Fiume sara italiana! "E' fra un delirio di acclamazioni conclude gridando. "Viva Italia! Viva Fiume! Viva Orlando! Viva Sonnino! Viva l'America! "Viva l'America risponde la folla in una esplosione di riconoscente entusiasmo. "Altri discorsi
These chapters breathe the bitterest contempt for Christianity, the most undisguised hatred for its historical development, the intensest rancor against Catholic ecclesiastics. Discorsi, i. 55.
It is fair to call attention to the strong expressions used by Machiavelli in the Discorsi, lib. i. cap. 18 and cap. 26, on the infamies and inhumanities to which the aspirant after tyranny is condemned.
In combination they produce a lively impression of the truth of what I have attempted to establish that in Italy at this period religion survived as superstition even among the most depraved, and that the crimes of the Church had produced a schism between this superstition and morality. Discorsi, i. 27.
Having set forth in the Principe the method of gaining or maintaining sovereign power, he shows in the Discorsi what institutions are necessary to preserve the body politic in a condition of vigorous activity. We may therefore regard the Discorsi as in some sense a continuation of the Principe. But the wisdom of the scientific politician is no longer placed at the disposal of a sovereign.
It is thus that it presents itself to Machiavelli, not the writer of that jeu d'esprit, Il Principe, perplexing as Hamlet, and as variously interpreted, but the author of the stately periods of the Istorie and the Discorsi, the haughtiest of speculators, and in politics the profoundest of modern thinkers.
He is arguing against Machiavelli's lamentation over their failure to achieve national unity. This was the point urged by Machiavelli, in the Principe, the Discorsi, and the Art of War.
M. Sorel encounters little difficulty in proving that the diplomacy of Europe in the seventeenth and eighteenth centuries is but an exposition of the principles of the Discorsi; Frederick the Great, who started his literary activity by the refutation of the Prince, began and ended his political career as if his one aim were to illustrate the maxims that in the rashness of inexperience he had condemned; and within living memory, the vindicator of Oliver Cromwell found in the composition of the same Frederick's history the solace and the torment of his last and greatest years.
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