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Daniello, then, having set his hand to that work, pursued it so slowly, although he was much pressed, that he finished only the stucco-work and the paintings in that room, but as for the many other things that the Pope wished to have done, seeing them delayed longer than he had expected, he lost all desire for them, so that nothing more was done and everything was left in the condition that is still to be seen.

After those niches, or rather, tabernacles, Daniello with the aid of many assistants executed all the other very rich decorations in stucco that are to be seen in that Hall, studying at the same time over the cartoons for all that he had proposed to do in that place in the way of painting.

And Giulio Mazzoni of Piacenza has likewise been a disciple of Daniello; which Giulio received his first instruction from Vasari, when Giorgio was executing in Florence an altar-piece for M. Biagio Mei, which was sent to Lucca and placed in S. Piero Cigoli, and when the same Giorgio was painting the altar-piece of the high-altar and a great work in the refectory of Monte Oliveto at Naples, besides the Sacristy of S. Giovanni Carbonaro and the doors of the organ in the Piscopio, with other altar-pieces and pictures.

On the altar-front Daniello painted with his own hand the Madonna ascending the steps of the Temple, and on the principal wall the same Virgin ascending into Heaven, borne by many most beautiful Angels in the forms of little boys, and the twelve Apostles below, gazing on her as she ascends.

It appears from a letter written to Lionardo Buonarroti on February 15, 1564, that his old servant Antonio del Francese, the successor of Urbino in his household, together with Tommaso Cavalieri and Daniello Ricciarelli of Volterra, attended him in his last illness.

Allegory and Example in Rhetoric When Thomas Wilson published the first edition of his Arte of Rhetorique in 1553, the corpus of Greek criticism in the Aldine Rhetores Graeci had been in print forty-five years, and the commentaries of Dolce, Daniello, Robortelli, and Maggi were available.

And under the first arch, on the front side, he painted on the flat surface, standing upright, two figures as large as life, a S. Francesco di Paola, the head of the Order that administers the above-named church, and a S. Jerome robed as a Cardinal, which are two very good figures, even as are those of the whole work, which Daniello executed in seven years, with incalculable labour and study.

To which Daniello answered that he was fully occupied and pledged to the Queen of France, but would make the cartoons and have the work carried forward by his young men, and, in addition, would also do his own part in it.

After the designs of the same man, likewise, the glass windows were executed by Pastorino da Siena, an able master of that craft; and Perino caused the walls below to be prepared with very beautiful ornaments in stucco, intending to paint scenes there with his own hand, which were afterwards continued by the painter Daniello Ricciarelli of Volterra, who, if death had not cut short the noble aspirations that he had, would have proved how the moderns have the courage not only to equal the ancients with their works, but perhaps even to surpass them by a great measure.

Julius III having been created Pontiff in the year 1550, Daniello put himself forward by means of friends and interests, hoping to obtain the same salary and to continue the work of that Hall, but the Pope, not having any inclination in his favour, always put him off; indeed, sending for Giorgio Vasari, who had been his servant from the time when he was Archbishop of Siponto, he made use of him in all matters concerned with design.