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Updated: June 12, 2025
It is really as the resting-place of the Medici that we have come to consider S. Lorenzo, for here lie not only Giovanni di Bicci and Piccarda, the parents of Cosimo Pater Patriae, and Cosimo himself, but Piero and Giovanni his sons, while in the new sacristy lie Giuliano and Lorenzo il Magnifico his grandsons, and their namesakes Giuliano Duc de Nemours and Lorenzo Due d'Urbino; and in the Cappella dei Principi, built in 1604 by Matteo Nigetti, lie the Grand Dukes from Cosimo I to Cosimo III, the rulers of Florence and Tuscany from the sixteenth to the beginning of the eighteenth centuries.
The Mosaic pavement of their duomo, or cathedral, has been much admired; as well as the history of Aeneas Sylvius, afterwards pope Pius II., painted on the walls of the library, partly by Pietro Perugino, and partly by his pupil Raphael D'Urbino.
He had two strings to a note, but it did not occur to him to space them into pairs of unisons. He retained the equidistant harpsichord scale, and had, at first, under-dampers, later over-dampers, which fell between the unisons thus equally separated. Cristofori died in 1731. He had pupils, one of whom made, in 1730, the, "Rafael d'Urbino," the favorite instrument of the great singer Farinelli.
The duke of Milan appointed as his general, Federigo d'Urbino; the Florentines engaged Costanzo, lord of Pesaro; and to sound the disposition of the pope, and know whether the Venetians made war against Ferrara with his consent or not, King Ferrando sent Alfonso, duke of Calabria, with his army across the Tronto, and asked the pontiff's permission to pass into Lombardy to assist the marquis, which was refused in the most peremptory manner.
But neither of the two branches the branch Cosmo and the branch Lorenzo reigned through their direct and legitimate lines until the close of the sixteenth century, when the grand-dukes of Tuscany began to succeed each other peacefully. Alessandro de' Medici, he to whom the title of Duke della citta di Penna was given, was the son of the Duke d'Urbino, Catherine's father, by a Moorish slave.
"Finished?" exclaimed the Countess, who added, employing a diminutive which she had used for several weeks: "Do you then not know that Linco has again effaced the head?" "Not the entire head," said the painter, "but the face is to be done over. You remember, Dorsenne, those two canvases by Pier delta Francesca, which are at Florence, Duc Federigo d'Urbino and his wife Battista Sforza.
At the same time Gonzaga's secretary, Jacopo d'Atri, informed the Marchesa that the priest Bernardino d'Urbino and a troop of Mantuan singers had been sent that evening to amuse the king.
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