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Updated: June 9, 2025
This appears to have happened at Romsey; but, since the time when the restoration was begun, all the roofs save that of the south end of the transept have been raised to their original pitch. This roof, no doubt, will in due course be altered in a similar way. A fine and noteworthy feature in this church is the corbel table which runs nearly all round it.
Below the parapet here is a characteristic corbel table. These bays form the western portion of Bishop Hugh's work in the presbytery. Ltd. The retention of this little portion of the Early English #Triforium# is very interesting and instructive; for we should otherwise not have known precisely how this part of the work had been carried out.
On the plinth under a round arched recess stands a sarcophagus with a tablet in front bearing the date A.D. 1525, while behind in an elegant shell-topped niche is a figure kneeling on a beautiful corbel. The front of this arch is adorned with cherubs' heads, the jambs with arabesques, and heads look out of circles in the spandrils.
The two apses east of the transept are of the pattern universal in Southern Europe, being divided into three equal parts by half-shafts with capitals and crowned with an overhanging corbel table.
"In sitting down, in getting up, in sitting down again, in pacing the length and breadth of my room, in gaping at the crows, in counting the squares of these flagstones, and the tiles of the little roof, in looking at the iron corbel and the water-spout on top of it, in watching the clouds sailing through the empty air, and then in lying down there in that recess of the wall, to rest quiet, with my eyes closed, ruminating over the problem of my destiny, asking myself what I could have done to God, that he chastised me so cruelly, recalling my past sufferings, enjoying in advance my sufferings to come, weeping and dreaming, dreaming and weeping, until overcome with lassitude and exhaustion I ended by falling asleep; or else, driven to desperation by weariness, I ran down to Ivan's lodging, and there gave vent to my scorn, fury, and despair, at the top of my lungs."
The highest, the one on the west side, has a Corinthian capital and is enriched in front by a statue under a canopy standing on a corbel upheld by a slender baluster shaft. The second in height is plain, and supports the arch which crosses the central aisle. The arches opening from the aisles into the transept chapel are lower still, and rest, not on capitals, but on corbels.
Along the nave walls, and ramping up the gables, is a double-arched corbel cornice with pilasters at the angles, and a bell turret consisting of a prolongation of the nave wall, gabled and with three pointed arched openings, two below, and one above. In the tympanum of the door is a pierced roundel with the Agnus Dei.
The gable is a low slope like the present roof, but the slope of the old gable and roof may be seen upon the east wall of the transept. There is one buttress only on the east side of the library. The north side is divided into two parts in its length by a buttress. The parapet has a corbel course similar to that on the two eastern bays of the presbytery aisle.
No one quite remembered who he had been, but that in a way was a guarantee of respectability. At least so the Goblin said. The Goblin was a very fine specimen of quaint stone carving, and lived up in the corbel on the wall opposite the niche of the little Saint.
The facade was originally designed in the trabeated style, and still retained its massive entrance, with straight, grooved lintel over the door which was adorned by four round columns; but subsequent additions reflected the fluctuations of popular architectural taste, in the later arched windows, the broad oriel with its carved corbel, and in the new eastern wing, that had flowered into a Tudor tower with bulbous cupola.
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