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Garçon had with him three hundred and thirty-four men, so that, besides having strong defensive works and an abundant supply of large cannon, his force outnumbered Colonel Clinch's nearly three to one. It is true that the American officer had the band of Seminoles with him, but they were entirely worthless for determined work of the kind that the white men had to do.
The southerly wind is failing already, and in half an hour the ships will be frying the pitch off their decks, without a breath of air; when the wind does come, it will come out at west, and bring us all four or five leagues dead to leeward!" Clinch's experience had taught him the useful man-of-war lesson, to bow to the tempest, and not to attempt to brave it.
Fetherel threw out her answer with the desperate gesture of a woman who lays bare the traces of a marital fist. "The tone of being proud of my book." The measure of Mrs. Clinch's enjoyment overflowed in laughter. "Oh, you may laugh," Mrs. Fetherel insisted, "but it's no joke to me.
For a moment he forgot his own rage in this glimpse of Clinch's implacable resentment; for a moment he felt a thrill of pity for the wretch who had provoked it. He remained motionless and fascinated in his chair as the lazy lids closed like a sheath over Clinch's eyes again. Rawlins, who had probably received the same glance of warning, remained equally still.
But there was a difficulty in the way not previously contemplated. Colonels John S. McIntosh, David Emanuel Twiggs, and Duncan Clinch, each commanded regiments in the South. Twiggs and McIntosh were native Georgians. Clinch was a North Carolinian, but was a resident of Florida. Zachary Taylor was the lieutenant-colonel of Clinch's regiment. He was a Virginian by birth, but resided in Mississippi.
How grateful Sheridan felt to Clinch for rescuing Sir Lucius is shown by the fact that his next production, the farce called "St. Patrick's Day; or, the Scheming Lieutenant," was expressly written to afford opportunity for Clinch's peculiar talents. In 1777 came "The School for Scandal," Sheridan's masterpiece, which was followed by Sheridan's last dramatic work, "The Critic."
Cuffe now related all that had passed between himself and the master's mate, taking care to give Jane a due place in his history. Nelson began to twitch the stump of his arm, and by the time the story was told Clinch's promotion was settled.
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