United States or Zambia ? Vote for the TOP Country of the Week !


We cannot tarry before the cathedral, noble despite its incompleteness and the unsightly alterations of later times, and full of fine paintings and matchless wood-carving and wrought metal and precious sculptures; nor before the Palazzo Communale, another grand Gothic wreck, equally dignified and degraded; nor even beside the great fountain erected six hundred years ago by Nicolo and Giovanni da Pisa, the chiefs and founders of the Tuscan school of sculpture; nor beneath the statue of Pope Julius III., which Hawthorne has made known to all; for there are a score of churches and palaces, each with its priceless Perugino, and drawings and designs by his pupil Raphael in his lovely "first manner," which has so much of the Eden-like innocence of his master; and the Academy of Fine Arts, where one may study the Umbrian school at leisure; and last, but not least, the Sala del Cambio, or Hall of Exchange, where Perugino may be seen in his glory.

Thenceforward he painted but little else; and when, in the Sala del Cambio, he was obliged to treat the representative heroes of Greek and Roman story, he adopted the same manner . Leonidas, the lionhearted Spartan, and Cato, the austere Roman, who preferred liberty to life, bend their mild heads like flowers in Perugino's frescoes, and gather up their drapery in studied folds with celestial delicacy.

Y que para corregir esos defectos e imperfecciones, no es lo más cuerdo mantener el sistema bajo el cual han crecido y prosperado, sino producir un cambio violento, un vuelco regenerador para que ella pudiera, como el ave que ensaya sus alas, volar a los altos espacios, abundantes de aire y luz, libre para derramar allí la graciosa esencia de su ser y ensayar los límites de sus facultades e instintos.

About 1260, however, the Commune of Florence began to dispute this right with the Order, and at last pulled down the church, building there, thirty years later, a loggia of brick, after a design by Arnolfo di Cambio, according to Vasari, who tells us that it was covered with a simple roof and that the piers were of brick.