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Nor did the Carlovingian family lose the empire only; their discords also occasioned them the loss of Italy; for the Lombards, gathering strength, offended the pope and the Romans, and Arnolfo, not knowing where to seek relief, was compelled to create Berengarius, duke of Fruili, king of Italy.
Arnolfo, the architect of the Duomo, was the first builder here, till later Giotto was appointed. The church itself is in the form of a tau cross, the eastern end on both sides of the choir consisting of twelve chapels scarcely less deep than the choir and tiny apse, itself a chapel of St. Anthony.
Yet, in spite of its unparalleled position on the curved and sloping piazza, where the contrade of Siena have run their palio for centuries, this palace lacks the vivid interest attaching to the home Arnolfo raised at Florence for the rulers of his native city. During their term of office the Priors never quitted the Palace of the Signory.
Arnolfo died when he had built his Palazzo in rugged strength, as it still stands, with walls like living rock and heavy Tuscan cornices tho it was reserved to the other masters to put upon it the wonderful crown of its appropriate tower and just as the round apse of the cathedral approached completion; a hard fate for a great builder to leave such noble work behind him half done, yet the most common of all fates.
Arnolfo knows he can build a good dome at Florence; Albert Durer writes calmly to one who has found fault with his work, "It cannot be better done;" Sir Isaac Newton knows that he has worked out a problem or two that would have puzzled anybody else; only they do not expect their fellow-men, therefore, to fall down and worship them.
Arnolfo begged that he might trespass on this site; but the people refused permission. Where the traitors' nest had been, there the sacred foundations of the public house should not be laid. Consequently the Florentine Palazzo is, was, and will be cramped of its correct proportions .
While in feudal England Edward I. was summoning his barons to repress the rising of William Wallace, in Florence, already a great commercial town, Arnolfo di Cambio had received the sublime orders of the Signoria to construct for the Duomo 'the most sumptuous edifice that human invention could desire or human labour execute, and had carried out those orders with consummate skill.
Enough at present to say that upon his death in 1336 he was buried, like Arnolfo, in the cathedral, where the tablet to his memory may be studied, and was succeeded as architect, both of the church and the tower, by his friend and assistant, Andrea Pisano, whose chief title to fame is his Baptistery doors and the carving, which we are soon to examine, of the scenes round the base of the campanile.
Arnolfo, sometimes called di Cambio and sometimes di Lapi, was the first of the group of Cathedral builders in Florence. Who Arnolfo was seems to be scarcely known, tho few architects after him have left greater works or more evidence of power.
"I saw them seize a young man who was quietly walking, singing psalms, and slay him on the steps of the Church of the Innocents," said another; "they cried and hooted, 'No more psalm-singing!" "And there's Arnolfo Battista," said a third; "he went out to try to speak to them, and they have killed him, cut him down with their sabres."
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