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John Cam Hobhouse, afterwards Lord Broughton, Lord Byron's friend and fellow-traveller, now Sir Francis Burdett's colleague in the representation of Westminster as successor to Lord Cochrane. Another of high note was Mr. Edward Ellice, eminent alike as a merchant and as a statesman. Another, no less eminent, was Joseph Hume. Another was Mr.

Ultimately Stanhope went to Athens, and allied himself with Trelawny and Odysseus and the party of the Left. Nothing can be more statesmanlike than some of Byron's papers of this and the immediately preceding period; nothing more admirable than the spirit which inspires them.

Shelley here looks forward, not back, to the Golden Age, and is the prophet of science and evolution. If we compare his Titan with similar characters in Faust and Cain, we shall find this interesting difference, that while Goethe's Titan is cultured and self-reliant, and Byron's stoic and hopeless, Shelley's hero is patient under torture, seeing help and hope beyond his suffering.

Until the darkness of the grave and the universal law of change and dissolution shall draw the curtain of death over his sleep shall prove his apparent sleep to be veritable death. 'How wonderful is Death, Death, and his brother Sleep! &c. The mind may also revert to the noble passage in Byron's Giaour 'He who hath bent him o'er the dead Ere the first day of death is fled, &c.

Shelley was certainly entirely indifferent to money, and profusely generous. He had begun by admiring Byron, with all the enthusiasm of hero-worship, but a closer acquaintance had revealed much that was distasteful and even repugnant to him, and it may safely be said that if he had lived he would soon have withdrawn from Byron's society.

Dispute with the Ambassador Reflections on Byron's Pride of Rank Abandons his Oriental Travels Re-embarks in the "Salsette" The Dagger Scene Zea Returns to Athens Tour in the Morea Dangerous Illness Return to Athens The Adventure on which "The Giaour" is founded

It passes from a reflection on "the dreary fuimus of all things here" to the advice But "carpe diem," Juan, "carpe, carpe!" To-morrow sees another race as gay And transient, and devour'd by the same harpy. "Life's a poor player," then play out the play. It was the natural conclusion of the foregone stage of Byron's career.

A doubt exists as to whether Mackenzie ever read Byron's book, but we know that his letter of stock platitude fired Byron to do still better. It is said that no flattery is too fulsome for a pretty woman she inwardly congratulates the man on his subtle insight in discovering excellences that she hardly knew existed. This may be so and may not, but the logic holds when applied to fledgling authors.

Byron's "ottava rima" rhymes a b a b a b c c: "A mighty mass of brick, and smoke, and shipping, Dirty and dusky, but as wide as eye Could reach, with here and there a sail just skipping In sight, then lost amidst the forestry Of masts; a wilderness of steeples peeping On tiptoe through their sea-coal canopy; A huge, dun cupola, like a foolscap crown On a fool's head and there is London Town!"

Holiday, "that must certainly be it. It corresponds exactly." So she repeated the following lines from Byron's poem, which describes the island in the language of one of the prisoners, who saw it from his dungeon window,