Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 24, 2025
Molière, it has been ascertained, discovered in the Italian theatre at Paris his "Medecin malgre Lui," his "Etourdi," his "L'Avare," and his "Scapin." Milan offered a pimp in Brighella; Florence, an ape of fashion in Gelsomino.
That manner of man Arlecchino, or Harlequin had outlived his playmates, Pantaleone, Brighella, Colombina, and the Clown. A little of Pantaleone survives in old Capulet, a little in the father of the Shrew, but the life of Mercutio in the one play, and of the subordinate Tranio in the other, is less quickly spent, less easily put out, than the smouldering of the old man.
A bully called Truffaldino poses as a marchese and wins the affections of Colombina; Brighella is entrapped by a Donna Furlana into a promise of marriage; the Dottore finds himself engaged to cure half a dozen of the same sort of ladies of the maladies incident to their career; finally, Pantalone is claimed as their long-lost uncle, who was supposed to have abandoned them in their days of infant orphanage.
At a certain stage in the play, Brighella, the country clown, observes his pretended inamorata, the sham contessa, in the embrace of the pretended marchese, Truffaldino, who by his lies and flatteries has ensnared the heart of Colombina.
Belviso presented me to the principals to a pleasant, plump old gentleman, who looked like the canon of a cathedral foundation, and was, in fact, the famous Arlecchino 'Gritti; to the prima donna, a black-browed lady, who, because she came from Sicily, was called La Panormita, her own name being Brigida, and her husband's Minghelli; to the cheerfulest drunkard I ever met, who played the lovers' parts, and was that same Minghelli; to the sustainers of Pantaleone, Scaramuccia, Matamorte, Don Basilio, Brighella and the rest of them a crew all told of some twenty hands, all males with the exception of La Panormita.
I was doing my best with the part; Il Nanno, as Punchinello, was at my side watching and moving every turn of the dialogue; in the back of the scene were Truffaldino and the Furlana at their kissing. The audience, quick to feel the pathos, was very quiet, and gave me courage. "Go to your mistress, Brighella," says Punchinello; "reproach her, pull her away."
Pantalon is a Venetian merchant, rich, and commonly the indulgent father of a wilful daughter or dissolute son, figuring also sometimes as the childless uncle of large fortune. The second old man is il Dottore, who is a Bolognese, and a doctor of the University. Brighella and Arlecchino are both of Bergamo.
Now Colombina is the beloved sister of Brighella; and the doubt is to dawn upon him that possibly his wonderful contessa and his sister's imposing marchese are no better than they should be. Why is she in the arms of the marchese? Are these perhaps the customs of the world of fashion? Punchinello, the family servant, suggests that the marchese and contessa may be brother and sister.
According to the plot of the play, Pantalone is an old merchant of Rimini who arrives in Venice with his family. Colombina is his daughter, and was played, of course, by Belviso; Arlecchino and Brighella are his simpleton sons they were the manager and myself. Il Nanno was Punchinello, his Neapolitan servant, Il Dottore his travelling physician.
His "La la," his "Sissioria," and "'Lustrissimo, si!" which marked so well the growth of self-esteem; his finger in the mouth, his twisting apron-corner, which betrayed embarrassment when the siege was too vigorous; his "Io non so gniente," when sheepishness was the only defence here was the highest art of the stage. I, as Brighella his brother, aped him as well as I could.
Word Of The Day
Others Looking