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In the gardens are the Octagon Tower, perched upon a commanding knoll, the Temple of Piety, near the water-side, and an arbor known as Anne Boleyn's Seat, which commands a superb view over Fountains Dale.

But Truth will always answer to the appeal of Truth. Dismal as was the spectacle broken, hoarse, and destroyed as was the voice the great style of the singer spoke to the great singer. The first scene was Ann Boleyn's duet with Jane Seymour. The old spirit was heard and seen in Madame Pasta's Sorgi! and the gesture with which she signed to her penitent rival to rise.

Knowing how the artistic temperament is always fascinated by beauty of costume, he constantly introduces into his plays masques and dances, purely for the sake of the pleasure which they give the eye; and we have still his stage-directions for the three great processions in Henry the Eighth, directions which are characterised by the most extraordinary elaborateness of detail down to the collars of S.S. and the pearls in Anne Boleyn's hair.

Pancras's Bridge, a swinging sign over an inn with Queen Katharine's face erased, but plainly visible under Ann Boleyn's, the tall mound beyond the Priory crowned by a Calvary, and the roof of the famous dove-cote of the Priory, a great cruciform structure with over two thousand cells.

For some hours Anne Boleyn's attendants were alarmed for her reason, and there seemed good grounds for the apprehension, so wildly and incoherently did she talk, and so violently comport herself she who was usually so gentle now weeping as if her soul would pass away in tears now breaking into fearful hysterical laughter. It was a piteous sight, and deeply moved all who witnessed it.

He had called Queen Katharine "poor woman" three or four times; had expressed a reverence for the Pope of Rome half a dozen times, and had once called him the Vicar of Christ. He had been silent when someone had mentioned Anne Boleyn's name; he had praised the Carthusians and the Religious Life generally, at some length.

There were two or three Geromes; and in the place of honour at the end of the gallery there was a grand Delaroche, Anne Boleyn's last letter to the king, the hapless girl-queen sitting at a table in her gloomy cell in the Tower, a shaft of golden light from the narrow window streaming on the fair, disordered hair, the face bleached with unutterable woe, a sublime image of despair and self-abandonment.

That one was a pretty young girl named ANNE BOLEYN, niece of the Earl of Surrey, who had been made Duke of Norfolk, after the victory of Flodden Field. Anne Boleyn's is a name to be remembered, as you will presently find.

'I think we meet at your father's table to-night? It won't be in the Tower, take my word for it. Oh! the papers! There's no Act to compel a man to deny what appears in the papers. He would. If he could turn attention from his Bill, he'd do it. We should have to dine off Boleyn's block: coquite horum obsonia he'd say, eh?

And how little mere labour, or the experience gained by labour, tends to improve the implements which the labourer uses is shown by the fact that the looms which wove Anne Boleyn's petticoats were practically the same as the looms which wove those of Semiramis.