Vietnam or Thailand ? Vote for the TOP Country of the Week !

Updated: May 11, 2025


There are among bibliographers many highly meritorious leaders through the mysteries of occult literature as, for instance, those who, like Placcius, Mylius, Barbière, and Melzi, have devoted themselves to the discovery and publication of the authorship of anonymous works.

Listen to Beethoven's Fourth and Eighth Symphonies, Il Barbiere again, Die Meistersinger.... But do not be misled: Massenet's Don Quichotte is light music; so is Mascagni's Lodoletta.... Is music to be prized and taken to our hearts because it is contrapuntal and complex? He is the one composer, indeed, who can never be played with one finger!

Vestris having seceded, and Caradori being for some time unable to perform, it became necessary to engage a young singer, the daughter of the tenor Garcia, who had sung here for several seasons.... Her extreme youth, her prettiness, her pleasing voice, and sprightly, easy action as Rosina in 'Il Barbiere, in which part she made her début, gained her general favor."

In "La Donna del Lago," "Lucrezia Borgia," "Maria de Rohan," and "La Gazza Ladra" she was pronounced inimitable by the London critics. Mme. Persiani's part in "Il Barbiere" was assumed without rehearsal and at a moment's notice, and given in a way which satisfied the most exacting judges. It sparkled from the first to the last note with enchanting gayety and humor.

As they are tiptoeing toward the window, the three sing a trio in which there is such obvious use of a melodic phrase which belongs to Haydn that every writer on "Il Barbiere" seems to have thought it his duty to point out an instance of "plagiarism" on the part of Rossini. It is a trifling matter. The trio begins thus:

As summer comes on and the evenings grow warm, begin the street serenades, sometimes like that of Lindoro in the opening of the "Barbiere di Sevilla," but generally with only one voice, accompanied by a guitar and a mandolin.

Twenty-three succeeding concerts made Henrietta Sontag an idol of the Paris public, which she continued to be during her art career. She also appeared with brilliant distinction in opera, the principal ones being "Il Barbiere," "La Donna del Lago," and "L'Italiani in Alghieri." Her benefit-night was marked by a demonstration on the part of her admirers, and she was crowned on the stage.

The history of what is popularly called Italian opera begins in the United States with a performance of Rossini's lyrical comedy "Il Barbiere di Siviglia"; it may, therefore, fittingly take the first place in these operatic studies. The place was the Park Theatre, then situated in Chambers Street, east of Broadway, and the date November 29, 1825.

She sang Rosina's song in the Barbiere di Siviglia as she had never sung it in her life, and for the first time the words pleased her. ... una vipera saro! What 'nice English girl' ever told herself or any one else that she would be a 'viper'? Two days later Margaret was somewhat surprised by an informal invitation to dine at the Turkish Embassy.

The French public felt a strong curiosity to hear the sister of Mali-bran, and it was richly rewarded, for the magnificent style in which she sang her parts in "Otello," "La Cenerentola," and "Il Barbiere" stamped her position as that not only of a great singer, but a woman of genius.

Word Of The Day

swym

Others Looking