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Dry your eyes, put on your mantilla; and, when we get face to face with the doctor, try to look as old and ugly as you can, if you want to be let into the sick-room along with me." The ordeal of medical scrutiny was passed more easily than Marta Angrisani had anticipated. It was of great importance, in the doctor's opinion, that the sick man should see familiar faces at his bedside.

Marta Angrisani had huddled on her clothes and was looking at herself in the glass to see that she was sufficiently presentable to appear at the palace, when she felt two arms flung round her neck; and, before she could say a word, found Nanina sobbing on her bosom. "He is ill he is in danger!" cried the girl. "I must go with you to help him.

"Does Marta Angrisani, the sick-nurse, live here?" inquired the man, as soon as Nanina showed herself at the window. "Yes," she answered. "Must I call her up? Is there some person ill?" "Call her up directly," said the servant; "she is wanted at the Ascoli Palace. My master, Count Fabio " Nanina waited to hear no more.

One day Nanina had begun to read to him as usual, but had not proceeded far before Marta Angrisani informed her that he had fallen into a doze. She ceased with a sigh, and sat looking at him sadly, as he lay near her, faint and pale and mournful in his sleep miserably altered from what he was when she first knew him.

As soon as he had done, Nanina ventured on the confession that she should feel rather nervous in a grand dress that did not belong to her, and that she doubted very much her own capability of waiting properly on the great people at the ball. The steward, however, would hear of no objections, and called peremptorily for Marta Angrisani to make the necessary statement as to Nanina's character.

London heard it first on April 12, 1817, at the King's Theatre, whose finances, which were almost in an exhausted state, it restored to a flourishing condition. In the company which Manuel Garcia brought to New York in 1825 were Carlo Angrisani, who was the Masetto of the first London representation, and Domenico Crivelli, son of the tenor Gaetano Crivelli, who had been the Don Ottavio.

She hesitated a little, then drew Marta Angrisani away into a corner, and whispered this question to her: "Do you think there will be any priests at the palace where the marquis lives?" "Heavens, child, what a thing to ask!" returned the nurse. "Priests at a masked ball! You might as well expect to find Turks performing high mass in the cathedral.

"The landlady of this house can, sir." "And who is she, pray?" "Marta Angrisani, sir." "What! the well-known sick-nurse? You could not possibly have a better recommendation, child. I remember her being employed at the Melani Palace at the time of the marquis's last attack of gout; but I never knew that she kept a lodging-house."