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One advantage, I think, I still have over all of them. They may do their fooling with better grace; but I, like Sir Andrew Aguecheek, do it more natural. They have to read old books and consult antiquarian collections to get their knowledge; I write because I have long since read such works, and possess, thanks to a strong memory, the information which they have to seek for.

Are we not reminded here of the position of thirsty Toby Belch towards the simple Aguecheek, if not even of honest Iago in his dealings with the liberal Rodrigo? Neither in Olivia's uncle, nor in Othello's Ancient is it reckoned a merit to have omitted doing pimp service to friends.

My merry friend, Jem White, had seen him one evening in Aguecheek, and recognizing Dodd the next day in Fleet Street, was irresistibly impelled to take off his hat and salute him as the identical Knight of the preceding evening with a "Save you, Sir Andrew." The artificial Comedy, or Comedy of manners, is quite extinct on our stage.

I must fine you a bumper, or a paradox. We will have nothing said or done syllogistically this day. Remove those logical forms, waiter, that no gentleman break the tender shins of his apprehension stumbling across them. Master Stephen, you are late. Ha! Cokes, is it you? Aguecheek, my dear knight, let me pay my devoir to you. Master Shallow, your worship's poor servant to command.

The play makes him as great an eater of beef, and as stupid as Sir Andrew Aguecheek. Achilles, save in a passage quite out of accord with the rest of the piece, is nearly as dull as Aias, is discourteous, and is cowardly!

Malvolio would walk mincingly in the sunshine there; Autolycus would filch purses. Sir Andrew Aguecheek and Sir Toby Belch would be eternal boon companions. And as Falstaff sets out homeward from the tavern, the portly knight leading the revellers like a three-decker a line of frigates, they are encountered by Dogberry, who summons them to stand and answer to the watch as they are honest men.

I confess that I never saw the catastrophe of this character while Bensley played it without a kind of tragic interest. There was good foolery too. Few now remember Dodd. What an Aguecheek the stage lost in him! Lovegrove, who came nearest to the old actors, revived the character some few seasons ago, and made it sufficiently grotesque; but Dodd was it, as it came out of nature's hands.

Of course Philip's father would never consent. "There, Lucy, you have had my story," said Maggie, smiling, with the tears in her eyes. "You see I am like Sir Andrew Aguecheek. I was adored once." "Ah, now I see how it is you know Shakespeare and everything, and have learned so much since you left school; which always seemed to me witchcraft before, part of your general uncanniness," said Lucy.

With a Preface by A. Herzen. Translated from the French. New York. D. Appleton & Co. 12mo. pp. 301. $1.00. The Poetical Works of Edgar Allan Poe. With an Original Memoir. New York. Redfield. 18mo. pp 278. 75 cts. Aguecheek. Boston. Shepard, Clark, & Brown. 12mo. pp. 336. $1.00. The Three Eras of Woman's Life. A Novel. By Eliza Elton Smith. Boston. T.O.H.P. Burnham. 12mo. pp. 322. $1.00.

But if it is an issue of some minor European power, or of some not too opulent South American State, that is coldly received by the investing public, bankers will want a big margin before they accept it as security for an advance, and it may take years to find a home for it in the strong boxes of real investors, and then perhaps only at a price that will leave the underwriters, like Sir Andrew Aguecheek, "a foul way out."