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Updated: June 26, 2025


The abbey itself was sacked; chalices, missals, chasubles, tunicles, altar frontals, the books of the library, the very vats and dishes of the kitchen, all disappeared. Chattels valued at £10,000, £500 worth of coin, 3000 "florins," this was the abbey's estimate of its loss. But neither florins nor chasubles were what their assailants really aimed at.

But I expect to stand firm, and when everybody else nearly is a Futurist and is tearing down Sargent's pictures and Abbey's and Whistler's to make room for immortal Young Messers, I and a few others will still be holding out resolutely to the end. At such times as these I fain would send my thoughts back longingly to an artist who flourished in the town where I was born and brought up.

From the little incidents of the Abbey's daily round the conversation was easily extended into a discussion of the policy of the Order in general.

From all the ends of Russia, out of Siberia, from the shores of the Frozen Ocean, from the extreme south the Black and Caspian Seas countless pilgrims had gathered for the worship of the local sanctities: the abbey's saints, reposing deep underground in calcareous caverns.

I met a prof. there from some American college he hired an automobubble and took me down to a reg'lar old inn " "Well, well!" " like you read about; sanded floor!" "Get to London?" "Yuh. Gee! it's a big place. Say, that Westminster Abbey's a great place. I was in there a couple of times. More darn tombs of kings and stuff. And I see a bishop, with leggins on! But I got kind of lonely.

Room 57 contains a number of Edwin Abbey's finely illustrative paintings, the most popular of which is his "Penance of Eleanor," and a collection of his splendid drawings; also important canvases by Theodore Robinson and John La Farge. Room 64 covers a wide sweep, from Church's archaic "Niagara Falls" down to Stephen Parrish, Eakins, Martin, the Morans, Hovenden, and Remington.

Abbey's company included several of the most popular artists Nilsson, Sembrich, Scalchi, Campanini, Del Puente, etc., and his repertory embraced the usual popular operas, the conclusion seemed inevitable that the public wanted a complete change. Dr.

"Perhaps there is some subject which you have long wished to paint rather than any other," asked Bok, "that might fit our purpose admirably?" There was: a theme that he had started as a fresco for Mrs. Abbey's bedroom. But it would not answer this purpose at all, although he confessed he would rather paint it than any subject in the realm of all literature and art. "And the subject?" asked Bok.

Abbey's powers has taken place amid the brown old accessories of a country where that eighteenth century which he presently marked for his own are more profusely represented than they have the good-fortune to be in America, and consequently limit our contention to the point that his talent itself was already formed when this happy initiation was opened to it.

Therefore, I demand justice upon this man in the Abbey court, the said assault having been committed within the banlieue of the Abbey's jurisdiction." "What have you to say to this, brother sacrist?" asked the Abbot in some perplexity.

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