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Updated: June 28, 2025
And Sir Henry selected him as one of the chief artists commissioned to decorate the interior of the Banqueting Hall specially erected for the celebration of the French Alliance in 1527. By all of which it would seem that in securing a new patron the painter had once more made a friend. Erasmus had asked Ægidius to assist Holbein's success in any way he could.
Arriving in 1527, he started business by making a sketch in pen and ink of More's entire family, with which marvellous work, still preserved in the Museum at Basle, the history of modern English painting may fairly be said to have begun; for though it was long before a native of England was forthcoming who was of sufficient force to carry on the tradition, the seed was sown, and in due course the plant appeared, and after many vicissitudes, at last flourished.
It was the first which passed between the friends since the terrible events of 1527 and 1530. For once, the jollity of the epicurean friar has deserted him. He writes as though those awful months of the sack of Rome were still present to his memory. "After all those trials, hardships, and perils, God Almighty has left us alive and in health, by His mercy and piteous kindness.
The work, though prolix, is valuable, as the author was an eye-witness of many of the facts, had others from persons who were concerned in the transactions recorded, and possessed copious documents. It displays great erudition, though somewhat crudely and diffusely introduced. His history was commenced in 1527, at fifty-three years of age, and was finished in 1559, when eighty-five.
It would be beyond the purpose of this chapter to enter into the details of the history of Florence between 1527 and 1531 those years of her last struggle for freedom, which have been so admirably depicted by her great political annalists. It is rather my object to illustrate the intellectual qualities of philosophical analysis and acute observation for which her citizens were eminent.
This, in brief, is the history of the storming and sacking of Rome which took place in the year 1527, at the highest development of the Renascence, in the youth of Benvenuto Cellini, when Michelangelo had not yet painted the Last Judgment, when Titian was just fifty years old, and when Raphael and Lionardo da Vinci were but lately dead; and the contrast between the sublimity of art and the barbarity of human nature in that day is only paralleled in the annals of our own century, at once the bloodiest and the most civilized in the history of the world.
The nobles, who coveted the possessions of the Church, espoused it. At the Diet of Odensee, in 1527, toleration was granted to Lutheranism. On Frederic's death, in 1533, an effort of the bishops to restore the exclusive domination of the old system of religion was defeated.
As early as 1520 there had begun to be felt at Troyes the first symptoms of repressive measures directed against the Reformation; in 1523, 1527, and 1528, provincial councils were held at Meaux, Lyons, Rouen, Bourges, and Paris, to oppose the Lutherans.
It lies outside the scope of this work to describe the series of events which led up to the sack of Rome in 1527. Clement, by his tortuous policy, and by the avarice of his administration, had alienated every friend and exasperated all his foes. The Eternal City was in a state of chronic discontent and anarchy.
In the year 1527, the Medici being expelled from Florence, there was a fight for the Palace of the Signoria, and a bench was thrown down from on high so as to fall upon those who were assaulting the door; but, as fate would have it, that bench hit an arm of the David in marble by Buonarroti, which is beside the door on the Ringhiera, and broke it into three pieces.
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