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Updated: June 18, 2025
This fourth voyage was unquestionably made with Gonzalo Coelho, but we are quite ignorant as to who was in command on the third voyage. These various expeditions had not tended to enrich Vespucius, while his position at the Portuguese court was so far from satisfactory that he determined to re-enter the service of the King of Spain. By him he was made Piloto Mayor on the 22nd of March, 1508.
Jacques de la Boucherie, and in groping about amongst some dirty streets, we shall find the tower of the same name; it is a remarkably curious object, and it is much to be regretted that the church belonging to it no longer stands it was begun in 1508; and finished in 1522, it is 156 feet high, and had formerly a spire thirty feet high; the style of architecture is rich and very singular, the gargouilles, or gutter spouts, are of a tremendous size; as it has been recently purchased by the Municipality of Paris from an individual, there are hopes that this interesting monument will be fully repaired and restored.
With this will be a letter to go to the Cardinal of Pavia, in which I reply to him about it all, so that he cannot complain. So put it in a cover and direct it to Giuliano da San Gallo on my part, and desire him to deliver it with his own hand. On February 21, 1508, the statue of Pope Julius II. was hoisted on to its pedestal above the great central door of San Petronio.
From this important record we learn that Michael Angelo, who still calls himself "sculptor," intends to engage five painter assistants, and very wisely arranges terms by which he can send them away if he does not get on with them, and also that he began to work upon May 10, 1508.
There may be, therefore, something in the suggestion which Crowe and Cavalcaselle make that this may be the large canvas ordered of Giorgione for the audience chamber of the Council, "for which purpose," they add, "the advances made to him in the summer of 1507 and in January 1508 show that the work he had undertaken was of the highest consequence."
The painting of the Sistine Chapel, upon which his fame so largely rests, is here described in language that reveals the manhood no less clearly than the artistic genius of Michelangelo. In 1508 Michelangelo returned to Rome and resumed his labors on the mausoleum. He had soon again to abandon them.
Michael Angelo’s work in Bologna well over, he returned to Florence upon March 18, 1508, and hired his house at Borgo Pinti from the Operai del Duomo, probably intending to proceed with the Twelve Apostles for that church. Michael Angelo’s father now emancipated his son from parental control. The date of the document is March 13; it was entered in the State Archives upon March 28.
Was not the cartoon at Florence a sufficient proof that he could do this if he chose, and had he not learned the art of fresco in the bottega of his master Ghirlandajo? Whatever his original reluctance may have been, it was speedily overcome; and the cartoons for the ceiling, projected with the unity belonging to a single great conception, were ready by the summer of 1508.
He went to Socotra, where the garrison was in need of help, and then returned to cruise before Ormuz, but thinking himself too weak to undertake anything, he retired for a time to Goa, arriving there at the end of the year 1508. What had been occurring on the Malabar coast during this long and adventurous campaign? The answer may be summed up in a few lines.
For once agreeing with Crowe and Cavalcaselle, Morelli is inclined to disregard the testimony of Vasari, from whose text it would result that it was painted in or after the year 1514, and to place it as far back as 1508.
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