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Updated: May 25, 2025
At the first indian house, we asked if we might have shelter for the night. He explained, however, that there was nought to eat. After eating elsewhere, we made our way back to our lodging-place, a typical Zapotec hut, a single room, with dirt-floor, walls of canes or poles, and thatch of grass. The house contained a hammock and two beds of poles, comforts we had not known for days.
When the cross that marks the beginning of the land belonging to Ixhuatlan was pointed out, we were delighted, but it was still a long ride before we crossed the little stream and rode into the village. Ixhuatlan is like all the Zapotec towns of this district, but less clean, on account of its lying in the midst of dust, instead of sand.
Questioning an indian friend of mine, we afterwards learned that there are many of these pieces of music which are held to be truly indian. The words are largely Zapotec; Spanish words are scattered through the song, and the sentiment is largely borrowed. Most of the songs are love-songs, and they abound in metaphorical expressions.
It seems to be law, and is certainly custom, that persons coming to the plaza are expected to be more fully dressed than when travelling on the road or when in their homes. Usually white cotton drawers and shirt are worn in the plaza; outside, practically nothing but the breech-clout. There is an interesting commerce carried on in Juave towns by Zapotec traders from Juchitan.
Castolo, then about ten years of age, most pleased me, and I asked him, among other things, whether he could read and write. His father answered for him, that he could not read or write; that the opportunities were not good; but that he believed Castolo could learn, that he had a good mind. At this point the mother spoke to her husband in Zapotec.
Down in the valley, across a little stream, we struck into a pleasant meadow road leading to the Hacienda of San Bartolo. Suddenly, before us, in the road, we saw a man lying. We thought he was dead. He was a young man, an indian in the usual dress, apparently a Zapotec.
It is painted on a piece of coarse cotton cloth, of native weaving, in three colors blue, red and black. The places around Huilotepec are indicated by their ancient hieroglyphs. Several personages of the ancient time are represented in the conventional manner commonly used in Zapotec writings before the Conquest.
Upon these expeditions the whole family accompanies the woman; the traveling is done almost entirely by night. These Zapotec women are shrewd at bargaining. They must be doing a paying business. It was interesting to see the primitive devices for weighing. The scales consisted of two tin pans of equal size and weight hung from a balance beam. The only weight was a stone weighing a pound.
I found him doing all this, and more, in a little native village fifty miles from the city of Oaxaca, Feb. 2nd. The fat little man was complete master of the Zapotec town of Mitla, far distant from the end of the last of the railroads, a town famous for its ruins.
The whole effect is that of a fine crest rising from the head, coursing down the back, and moving with the breeze as the woman walks. These Zapotec women are fond of decoration, but particularly prize gold coins. In the past, when Tehuantepec was more important than now, it was no uncommon thing to see a woman in this market with several hundred dollars in gold coins hanging to her neck chain.
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