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Updated: June 27, 2025
At the other end is the throne of gold and crimson, with gorgeous hangings of crimson velvet. The twelve statues in the hall are called the "Wittelsbach Ancestors" and represent renowned members of the house of Wittelsbach from which the present family of Bavaria is descended.
His arrival would not have been passed by so quietly, and the imperial banner did not float either from the many-sided turret at the left end of the main building nor from the lofty roof of the ancient Wittelsbach tower.
There is the "Hall of the Swan-Knight," containing illustrations of that most charming legend, the foundation of the world's best opera, Lohengrin; the "Schwangau Chamber," with pictures concerning the history of the locality; the "Bertha Chamber," containing the story of the parents of Charlemagne; the "Ladies' Chamber," portraying the life of German women in the Middle Ages, the principal figure being a portrait of Agnes, wife of Otto von Wittelsbach, an ancestor of the royal house; the "Hall of Heroes," containing illustrations of the Vilkina Saga, Dietrich of Berne being supposed to have lived at Hohenschwangau; the "Knights' Chamber," representing the knightly customs of the Middle Ages; the "Oriental Chamber," with frescoes recalling King Maximilian's travels in the East; and several other rooms, in each of which is commemorated some striking point of German history or some interesting record of national manners.
Whether or not Henry meant to commit the anachronism and blunder of reproducing the part of Charlemagne might be doubtful. The supposed design of Maximilian to renew the glories of the House of Wittelsbach was equally vague. It is certain, however, that a belief in such ambitious schemes on the part of both had been insinuated into the ears of Rudolf, and had sunk deeply into his unsettled mind.
It had formerly witnessed many brilliant knightly games and festal scenes, but even now it was the favourite gathering place for the inhabitants of the citadel and the guests of the ducal owner, though the latter, it is true, had ceased to live here since Landshut had become the heritage of the Munich branch of the Wittelsbach family, and the Bavarian dukes resided in Munich, the upper city on the Isar.
The same frightful scenes which Major Heideck had witnessed on board the Wittelsbach had also taken place on the other German battleships and cruisers. Blood flowed in rivers, and, if the murderous engagement continued much longer, the moment could not be far off when it would no longer be possible to fill the gaps caused by death in the ranks of the brave crews.
Then Frederic resolved to try his cousin, the great Maximilian of Bavaria, to whom all Catholics looked with veneration and whom all German Protestants respected. Had the two branches of the illustrious house of Wittelsbach been combined in one purpose, the opposition to the House of Austria might indeed have been formidable.
Five of the ships of the line, of the Kaiser class, are quite obsolete, and the vessels of the Wittelsbach class carry as heaviest guns only 24-centimetre cannons, which must be considered quite inadequate for a sea-battle of to-day. We are in a worse plight with regard to our large cruisers.
They guaranteed the acquisition of Silesia by Frederick II of Prussia and restored everything else to the situation at the opening of the conflict. The Wittelsbach family was reinstated in Bavaria and in the Palatinate, and the husband of Maria Theresa, Francis of Lorraine, succeeded Charles VII as Holy Roman Emperor. France, for all her expenditures and sacrifices, gained nothing.
It is for this reason that Prince Louis of Bavaria, although he notoriously dislikes the kaiser and resents his assumption of superiority, claiming that the members of the Wittelsbach family are not the vassals, but the allies of the emperor, nevertheless has sent first his eldest son, and then each of his younger ones in turn, to spend a year or two at the Court of Berlin, under the immediate direction and eye of the kaiser.
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