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Updated: May 2, 2025
There are hundreds of different exercises in the different books, and the student has no reason for suffering for want of variety." Does the technical material of to-day differ greatly from that of forty or fifty years ago? State something of the efficacy of scales. State three sources of technical material sure to interest the student. Do celebrated virtuosos use scales regularly?
He may have no logical reason for doing this other than that it appeals to his artistic sense. He is in all probability following no law but that of his own musical taste and sense of hearing. It is this more than anything else which gives individuality to the playing of the different virtuosos and makes their efforts so different from the playing of machines.
The high registers in which every ordinary violinist must be able to play nowadays would in those days have seemed too break-neck for the foremost virtuosos. Men themselves were not tuned high enough to take pleasure in such poignant chirping. The flute of the seventeenth century was a fourth lower than that of the eighteenth.
The latter half of Spohr's life was mostly devoted to the higher musical ambition of creating, but not until he had established himself as one of the greatest of virtuosos, and founded a school of violin-playing which is, beyond all others, the most scientific, exhaustive, and satisfactory. All of the great contemporary violinists are disciples of the Spohr school of execution.
For impudence does not only supply all defects, but gives them a greater grace than if they had needed no art, as all other ornaments are commonly nothing else but the remedies or disguises of imperfections; and therefore he thinks him very weak that is unprovided of this excellent and most useful quality, without which the best natural or acquired parts are of no more use than the Guanches' darts, which, the virtuosos say, are headed with butter hardened in the sun.
He combined the Paganini school with that of Viotti, and gave status to a peculiar genre of players, in which may be numbered such great virtuosos as Vieuxtemps and Wieniawski, who successively occupied the same professional place formerly illustrated by De Bériot, and the latter of whom recently died.
About the middle of March, the Emperor passed several days at Rambouillet; there were held some exciting hunts, in one of which his Majesty himself brought to bay and killed a stag near the pool of Saint-Hubert. There was also a ball and concert, in which appeared Crescentini, Mesdames Grassini, Barelli, and several celebrated virtuosos, and lastly Talma recited.
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