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"They all seem quite proud of having been allowed to pay for sumptuous dinners and expensive presents. Usually one expects a shrinking from publicity in these affairs, but in this case there is nothing of the kind. I have never seen Madame Vatrotski, but she must have had a peculiar fascination."

"His disappointment had put him in a temper." "That hardly appeals to me as a satisfactory explanation," Quarles returned; "but there is indirect evidence in Sir Charles's favor. Had Madame Vatrotski intended to return to her rooms at once she would almost certainly have taken such a small parcel as her purchases made with her. That she did not do so suggests she had another appointment to keep.

"I suppose nothing, and I never cling; all I know is that I have no proof of death," said the professor, and he launched into a discourse concerning the difficulties of concealing a body, chiefly, I thought, to hide the fact that he had no ideas at all about the strange case of Madame Vatrotski.

It was said the poet laureate had dedicated an ode to her that Lovet Forbes, the sculptor, was immortalizing her in stone, and Musgrave had certainly painted her portrait. From all sides there was a loud demand that the mystery must be cleared up, and the investigation was entrusted to me. From the outset it was apparent that Madame Vatrotski had played fast and loose with her many admirers.

They were both a little out of their depth, I thought, and after a few moments I did not pay much attention to them. My thoughts had gone back to Musgrave's picture and to Forbes's bust of Madame Vatrotski. Zena had said that the real woman was probably somewhere between the two, and as I looked at the figure for which the dancer had been the model I felt she was right.

Zena in a dress I had not seen before, which suited her to perfection. She was much more interesting to me than Forbes's bust of Madame Vatrotski. Quarles was right in his prophecy; the gallery was full, and the cubists were not the attraction.

"It has served its purpose; I have built my theory the artistic mind fascinated and becoming revengeful in a moment of repulsion. I think Madame Vatrotski had an appointment with Forbes that day, and more, that she kept it." "Where?" "At his studio. It may have been to give him a final sitting, or it may have been a lovers' meeting.

The pictures were the work of French artists of the cubist school, but also on view was a portrait bust of Madame Vatrotski by Lovet Forbes. It was evidently the bust I had overheard Tenfield speak about that day in the Academy, and I discovered that his firm had bought it as a speculation.

"Whether they will realize what it is that is disclosed where that piece is missing is another matter, but we know, Wigan. It is the body of Madame Vatrotski. Can you wonder, my dear Zena, that I felt more like a little brandy and water than tea?" How far Quarles was right in his idea of the relations between Forbes and the dancer no one will ever know.

"I know little of the artistic world," I answered; "but any man who takes himself seriously always appeals to me." Musgrave smiled. I fancy he was about to favor me with his ideas, but concluded I was not worth the trouble. I had not got much out of my visit beyond the knowledge that Quarles was not alone in his estimate of Madame Vatrotski.