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Just as the blue or gray of her eyes was conceived more as light than color, so her aegis was dark blue, because the Greeks thought of this tint more as shade than color, and, while they used various materials in ornamentation, lapislazuli, carbonate of copper, or, perhaps, smalt, with real enjoyment of the blue tint, it was yet in their minds as distinctly representative of darkness as scarlet was of light, and, therefore, anything dark,* but especially the color of heavy thunder-cloud, was described by the same term.

Blue verditer, and white of any sort, well ground. Light Green. Pink, smalt, and white. Another. Blue verditer and gamboge. Another. Gamboge and verdigris. This is chiefly used for the ground colours of trees, fields, &c. Lion Tawney. Red lead and masticot, shaded with umber. Murrey. Lake and white lead. Orange. Red lead and a little masticot, shaded with umber. Orange Tawney.

It was afterwards made with flake white or dry white lead ground in turps only and mixed with the polishing copal varnish with the addition of tints as required, by which means a white of any required character could be produced." Authorities state that these may be formed from bright Prussian blue or verditer glazed over with Prussian blue or of smalt.

There was some activity in Germany, for a time, the versatile Bishop Bernward of Hildesheim adding this craft to his numerous accomplishments, although it is probable that his works resembled the graffiti and inlaid work rather than the mosaics composed of cubes of smalt. At the Monastery of Monte Cassino in the eleventh century was an interesting personality, the Abbé Didier, its Superior.

Apollonius taught Andrea Tafi how to compose the smalt and to mix the cement, but this latter was evidently unsuccessful, for in the next century the mosaic detached itself and fell badly, when Agnolo Gaddi, the grandson of Gaddo, was engaged to restore it. Tafi, Gaddi, and Jacobus were considered as a promising firm, and they undertook other large works in mosaic.

Blue bice and ceruse, or ultramarine and white, shaded with indigo. Straw Colour. Masticot and a very little lake, shaded with Dutch pink. Yellow Colour. Indigo, white, and lake; or fine Dutch bice and lake, shaded with Indigo; or litmus smalt and bice, the latter predominant. Water. Blue and white, shaded with blue, and heightened with white. To prevent Colours from Cracking.

For this tattooing, so to speak, reduces the sense of space, brings down the roof, and makes the pillars clumsy; in short, it eliminates the mysterious soul of the nave, and destroys the sober majesty of the aisle with its feebly vulgar fret or guilloche, lozenges or crosses, scattered over the pillars and walls, in a paste of treacly yellow, endive-green, vinous purple, lava drab, brick red a whole range of dull and dirty colours; to say nothing of the horror of a vault dotted with stars that look as if they had been cut out of gilt paper and stuck against a smalt background, a sky of washing-blue!

By bright Prussian blue possibly a genuine Prussian blue toned down to a sky blue with white lead is meant, and by verditer the variety known as refiners' blue verditer, and as to smalt it must not be forgotten that it changes its colour in artificial light.

Starch is used along with smalt, or stone-blue, to stiffen and clear linen. The powder of it is also used to whiten and powder the hair. It is also used by the dyers, to dispose their stuffs to take colours the better. Starch is sometimes used instead of sugar-candy for mixing with the colours that are used in strong gum-water, to make them work more freely, and to prevent their cracking.

In the twelfth century the celebrated Suger of St. Denis decorated one of the porches of his church with mosaic, in smalt, marbles, and gold; animal and human forms were introduced in the ornament. But this may not have been work actually executed on the spot, for another narrator tells us that Suger brought home from Italy, on one of his journeys, a mosaic, which was placed over the door at St.