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Updated: June 18, 2025
The door still seems to open, and the lights seem to flame in the brazen candlesticks; the fragrance of incense arises; the church gleams in its ancient splendour; and the monks sing and say the mass over the slain bishop, who lies there in the black silver-embroidered mantle, with the crozier in his powerless hand; and on his pale proud forehead gleams the red wound like fire, and there burn the worldly mind and the wicked thoughts.
He wore a white, silver-embroidered coat, with a dark-blue satin vest, and breeches of the same, shoes with buckles, and bosom and wrist ruffles of lace. This gentleman, with the bright, sparkling eyes, and pleasant face, was the poet Gleim, who looked very comfortable and stately in the circle of powdered perukes.
Charles also looked magnificent in the Castilian court costume, with the chain of the Grand Master of the Golden Fleece about his neck; but the young Saxon duke was considerably his superior in height, and the silver-embroidered, steel-gray suit of Spanish cut and the black velvet mantle trimmed with a border of marten fur, were extremely becoming.
Broad gold bracelets clasped her plump wrists at the point where her gloves terminated, and a high comb of Etruscan gold ornamented the hard knob into which her hair was screwed. Princess Vessano represented the other extreme that of fashion. She was in an Empire "creation" of green liberty satin with an over-tunic of silver-embroidered gauze.
She was resting upon a gold-embroidered divan, and her figure appeared to great advantage in the heavenly blue, silver-embroidered gauze robe, which covered her beautiful limbs like a cloud. In her hair sparkled two diamonds, like two stars fallen from heaven, and more glowing still were her eyes, which tenderly rested upon Rizzio.
Charles also looked magnificent in the Castilian court costume, with the chain of the Grand Master of the Golden Fleece about his neck; but the young Saxon duke was considerably his superior in height, and the silver-embroidered, steel-gray suit of Spanish cut and the black velvet mantle trimmed with a border of marten fur, were extremely becoming.
Now followed two other riders; but these were not alike, as the others had been, but bore the most remarkable and striking contrast to one another. One of them was dressed in the latest French style; he wore a blue, silver-embroidered velvet coat, with small-clothes of the same material, which met his white silk stockings at the knee, and were fastened by a band with a diamond clasp.
Baroness de Simonie had gone to her boudoir, but though it was late at night she seemed to feel no disposition to retire to rest, nor was there the slightest expression of weariness on her beautiful face; her eyes sparkled as brightly as they had just flashed upon her guests, and there was no change in the proud carriage of her head, or of the tall, slender figure, still robed in white satin veiled with silver-embroidered white crêpe.
The long silver-embroidered train, fastened to her shoulders with jewelled clasps, was of a rarer and more costly material than even the robe of the queen; the diadem, necklace, and jewelled bracelets could rival the parure of the queen, and the latter experienced almost a sensation of envy at the sight of the large fan which the countess held half open in her hand, and with which the queen had nothing that could compare.
She had ordered her female slaves to place themselves in the rear of some rose-bushes in the background, and make sweet harmony with their cymbals and clarinets. She wished to be left alone with her thoughts. She lay reclining at full length on her silver-embroidered silken cushions.
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