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Updated: April 30, 2025
How bright they were! how gay with color! how rich with carvings and curios. Each was like a set-scene on the stage. The shopkeepers and their aids were like actors in a play. They seemed really to be playing and not trying to engage in any serious business. Surely it would have been quite beneath the dignity of such distinguished gentlemen to take the smallest interest in the affairs of trade.
It is a perpetually set-scene for light opera. Everything seems dressed up and artificial, and meant to be viewed, as it were, in the glare of the foot-lights. But instead of the shepherds in white satin who ought to be the performers in this ingenious theatre, it is the unaccustomed stranger who is forced into the position of actor.
No one had ever been so ill-bred as to say to her: "Excuse me, young lady, would you not like to come with me to a different point of view, and look at the matter from the other side? How if it should turn out to be a mere set-scene of painted pasteboard?" Sören's young wife had now had ample opportunities of studying the set-scene from the other side. Mrs.
Each had seen One Tree Hill, and could bring to bear upon the subject his own personal knowledge and observation, and so test and certify to the painter's skill. The view was a set-scene with a moveable sky at the back: a large canvas twenty times the surface of the stage, stretched on frames, and rising diagonally by means of a winding machine.
Over a framework of bamboo poles stretch a number of squares of matting as a protection from the sun. Lay some more down in the centre as a flooring for the performers. Tie a few branches round the central bamboo to represent a forest, the perpetual set-scene of a Burmese drama; and the house is ready. The performers act and dance in the central square laid with matting.
What dismantled castle, with the enemy's flag flying over its crumbling walls, ever looked so utterly forlorn as a poor field-fortress of nature, imprisoned on all sides by the walled camp of the enemy, and degraded by a hostile banner of pole and board, with the conqueror's device inscribed on it "THIS GROUND TO BE LET ON BUILDING LEASES?" What is the historical spectacle of Marius sitting among the ruins of Carthage, but a trumpery theatrical set-scene, compared with the mournful modern sight of the last tree left standing, on the last few feet of grass left growing, amid the greenly-festering stucco of a finished Paradise Row, or the naked scaffolding poles of a half-completed Prospect Place?
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