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Updated: May 1, 2025


It must be as hard to think up anything new in that kind as in romanticistic fiction, which circus-acting otherwise largely resembles. At a circus which played all one winter in Florence I saw for the first time-outside of polite society the clown in evening dress, who now seems essential to all circuses of metropolitan pretensions, and whom I missed so gladly at my village circus.

It must be as hard to think up anything new in that kind as in romanticistic fiction, which circus-acting otherwise largely resembles. At a circus which played all one winter in Florence I saw for the first time-outside of polite society the clown in evening dress, who now seems essential to all circuses of metropolitan pretensions, and whom I missed so gladly at my village circus.

At heart Clemens was romantic, and he would have had the world of fiction stately and handsome and whatever the real world was not; but he was not romanticistic, and he was too helplessly an artist not to wish his own work to show life as he had seen it. I was preparing to rap him back for these letters when I read that he had got home to die; he would have liked the rapping back.

But here the fact wanted the basis of simplicity so strong in the other scene; in the mixture of the real and the ideal the group was romanticistic. There are innumerable other portrait figures and busts in which the civic and social hour is expressed.

Bret Harte, and he is of a period when romanticism was so imperative as to be almost a condition of fiction. I am never so enamoured of a cause that I will not admit facts that seem to tell against it, and I will allow that this writer of romanticistic short stories has more than any other supplied us with memorable types and characters. We remember Mr.

Bret Harte, and he is of a period when romanticism was so imperative as to be almost a condition of fiction. I am never so enamoured of a cause that I will not admit facts that seem to tell against it, and I will allow that this writer of romanticistic short stories has more than any other supplied us with memorable types and characters. We remember Mr.

Bernhardt was figuring, was called a romantic Hamlet thirty years ago; and so it was in being a break from the classic Hamlets of the Anglo-American theatre. It was romantic as Shakespeare himself was romantic, in an elder sense of the word, and not romanticistic as Dumas was romanticistic. It was, therefore, the most realistic Hamlet ever yet seen, because the most naturally poetic. Mme.

He saves himself in his latest novel, because, though still so largely romanticistic, its prevalent effect is psychologistic, which is the finer analogue of realistic, and which gave realism whatever was vital in it, as now it gives romanticism whatever will survive it. In "The Right of Way" Mr.

He preached a crusade against romanticism, and fought a long fight with it, only to realize at last that he was himself too romanticistic to succeed against it, and heroically to own his defeat. The hosts of romanticism swarmed back over him and his followers, and prevailed, as we see them still prevailing.

It serves equally the ideal and the real; that which it is loath to serve is the unreal, so that among the short stories which have recently made reputations for their authors very few are of that peculiar cast which we have no name for but romanticistic. The only distinguished modern writer of romanticistic novelle whom I can think of is Mr.

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