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Updated: May 15, 2025
A fancy likewise took the Pope to have some very rich tapestries made in gold and floss-silk; whereupon Raffaello drew and coloured with his own hand, of the exact form and size, all the cartoons, which were sent to Flanders to be woven; and the tapestries, when finished, were brought to Rome.
So, hurrying down the steps, I left half my vows unpaid and a million of delicate sculptures unexplored; for every pilaster, every frieze, every entablature, is incrusted with porphyry, verde antique, or some other curious marble, carved into as many grotesque wreaths and mouldings as we admire in the loggios of Raffaello.
It is a very notable thing that Raffaello, studying the manner of Pietro, imitated it in every respect so closely, that his copies could not be distinguished from his master's originals, and it was not possible to see any clear difference between his works and Pietro's; as is still evident from some figures in a panel in S. Francesco at Perugia, which he executed in oils for Madonna Maddalena degli Oddi.
And having opened the letter that Raffaello had written to him, in which he besought Francia, if there were any scratch in the work, to put it right, and likewise, as a friend, to correct any error that he might notice, with the greatest joy he had the said panel taken from its case into a good light.
Thus, then, partly because he was not able, and partly because the labour wearied him, liking to design his works rather than to execute them, he pursued the same course that Raffaello da Urbino had formerly followed at the end of his life.
He had disciples in plenty, but the best were Giovanni da Lione, Raffaello dal Colle of Borgo, Benedetto Pagni of Pescia, Figurino da Faenza, Rinaldo Mantovano, Giovan Battista Mantovano, and Fermo Ghisoni, who still lives in Mantua and does him honour, being an excellent painter.
Now, from the circumstance that it had been erected in haste, and for other reasons given in another place, it was threatening to fall in many parts, and by the advice of Fra Giocondo, Raffaello, and Giuliano, the foundations were in great measure renewed; in which work persons who were present and are still living declare that those masters adopted the following method.
Simone having then returned to Orvieto, arrangements were made to erect after his designs, in the cross at the head of the church, two great tabernacles of marble, works truly graceful, beautiful, and well-proportioned, for one of which Raffaello da Montelupo made in marble a nude Christ with the Cross on His shoulder in a niche, and for the other Moschino made a S. Sebastian, likewise nude.
These men had secured Raffaello da Montelupo, but he fell ill at the very moment when he was about to depart with them for Messina, so that they made another choice and took the Frate, who had sought with all insistence, and even with some interest, to obtain that work.
Indeed, he always praised all men of excellence without exception, even Raffaello of Urbino, between whom and himself there was of old time some rivalry in painting. I have only heard him say that Raffaello did not derive his mastery in that art so much from nature as from prolonged study. Nor is it true, as many persons assert to his discredit, that he has been unwilling to impart instruction.
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