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Updated: May 27, 2025
There is another picture by the same artist in S. Nicholas, which was the Dominican church an Annunciation, dated March 16, 1513, with a predella of five subjects, a praying Dominican, a Nativity of Christ, a galley in the harbour of Mezzo, the Adoration of the Magi, and the entrance of the Dominicans into the cloister. A good campanile still remains, though the cloister is ruined.
In Perugia, also, he made many works; among others, a panel in the Duomo for Messer Jacopo Vannucci of Cortona, Bishop of that city; in which panel are Our Lady, S. Onofrio, S. Ercolano, S. John the Baptist, and S. Stephen, with a most beautiful angel, who is tuning a lute. At Volterra, over the altar of a Company in the Church of S. Francesco, he painted in fresco the Circumcision of Our Lord, which is considered beautiful to a marvel, although the Infant, having been injured by damp, was restored by Sodoma and made much less beautiful than before. And, in truth, it would be sometimes better to leave works half spoilt, when they have been made by men of excellence, rather than to have them retouched by inferior masters. In S. Agostino in the same city he painted a panel in distemper, and the predella of little figures, with stories of the Passion of Christ; and this is held to be extraordinarily beautiful. At S. Maria a Monte he painted a Dead Christ on a panel for the monks of that place; and at Citt
He may know what a man in love is; Boaz there is in love. 'I wish we could see the woman's face, said Sleaford. 'A woman, you know, without a face 'Come and see the predella of "Faith and Love," said Wilderspin, and he moved towards an easel where rested the predella, a long narrow picture without a frame.
For the Nuns of Ognissanti in the same city Domenico painted another altar-piece, in which is Christ on high in the heavens, crowning the Glorified Virgin, and below them are S. Gregory, S. Anthony, S. Mary Magdalene, and S. Catharine the Virgin-Martyr; and in the predella, likewise, are some very beautiful little figures executed in distemper.
Wilderspin is one of the few painters who revert to the predella of the old masters.
Another masterpiece is 1374, Our Lady of Victory, a noble and virile work, painted in 1496 to commemorate the defeat of the French at Taro in 1495 by Isabella's consort, Francesco Gonzaga, the donor, who is seen kneeling in full armour; 1373, is an earlier work, the central and most important of the three sections of the predella of the Triptych at S. Zeno in Verona a powerful, reverent, though somewhat hard, conception of the cardinal tragedy of Christianity.
It is built against the wall, and architecturally designed so as to comprehend a full-length figure of the bishop stretched upon his bier and watched by angels, a group of Madonna and her child seated above him, a row of standing saints below, and a predella composed of four delicately finished bas-reliefs.
The picture is in an exceedingly ruined state, and the gabled top in which is painted God the Father, though not without merit, does not belong to the original painting, but is of a later date. Lastly, we may place in this group, the broadly-painted predella, which hangs now, badly lighted, in the sacristy of the Arezzo Cathedral.
It is an apotheosis of the Madonna, with four figures beneath S. John Baptist, Mary Magdalen, S. Sebastian, and S. Rocco; not S. Onofrio, as Bottari has named it. The predella, now lost, had portraits of the patron and his wife. Crowe and Cavalcaselle speak of six saints in this picture, four standing and two kneeling.
The stories from the life of Our Lady and of San Domenico which adorn the predella, moreover, are in the same divine manner; and I for myself can affirm with truth that I never see this work but it appears something new, nor can I ever satisfy myself with the sight of it or have enough of beholding it."
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