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Updated: May 12, 2025
He had a wife, a young Gaul named Eponina, who was in frantic despair at the rumor; but he had her informed, by the mouth of one of his freedmen, of his place of concealment, begging her at the same time to keep up a show of widowhood and mourning, in order to confirm the report already in circulation. "Well did she play her part," to use Plutarch's expression, "in her tragedy of woe."
Hawthorne says again, "She was draped from head to foot in a costume minutely and scrupulously studied from that of ancient Egypt." In fact, the body and limbs of the statue are so closely shrouded as to deprive the work of that sense of freedom of action and royal abandon which greets us in Shakespeare's and Plutarch's "Cleopatra."
Two months after he had written for Ptolemy's maps, Plutarch's Lives, and the works of Suetonius and other historians of the first Roman Emperors, he addressed another letter to his Florentine friend, Niccoli, dated the 8th of January, 1424, in which he hinted at no less a forgery than the whole of Livy's History, and if circumstances had been favourable to it, we should have, doubtless, had a composition so like the original, even so much more like than even what was afterwards honourably and admirably done by Freinshemius, as to have defied detection.
You were speaking of Pompeius, and you said "Plutarch's Pompeius," and more for it is almost incredible under the supposition that you do not know and have never listened to Alvan you said that Pompeius appeared to have been decorated with all the gifts of the Gods to make the greater sacrifice of him to Caesar, who was not personally worth a pretty woman's "bite."
Every one rose as he came in, and when Keraunus saw that the chief lawyer of the city, a man of ancient family, bowed before him, he did likewise. Plutarch's eyesight was stronger than his legs were, and where a pretty woman was to be seen, it was always very keen.
But so far as concerns Plutarch's object in writing these Lives, which was to exhibit character, it is as good as any of his Lives, and it has great merit. Whether his anecdotes are always authentic is a difficult matter to determine. Sulla had many enemies, and it is probable that his character in private life has been made worse than it was. The acts of his public life are well ascertained.
Plutarch's Life of Cicero, Appian, Dion Cassius, Villeius Paterculus, are the original authorities, next to the writings of Cicero himself, especially his Letters and Orations. Middleton's Life is full, but one-sided. Forsyth takes the opposite side in his Life. The last work in English is that of Anthony Trollope. In Smith's Biographical Dictionary is an able article. Dr.
In the fourth and fifth acts of Antony and Cleopatra Shakespeare has reproduced every detail of Plutarch's narrative, which was drawn from that of her physician Olympos. Her fascinations were not dead, for they swayed Dolabella to play false to his master so far as to warn her of his intentions, and leave her time for her dignified and royal end.
'These I left behind there, but I brought away with me: Basil on the Hexaëmeron and some of his homilies on the Psalms; the Epistles of Paul and the Acts of the Apostles; Plutarch's Lives of Romans and Greeks, and his Symposium; some writings on grammar and mathematics; some poems on the Christian religion, written, I think, by Gregory Nazianzen; some prayers, in Latin and Greek.
Even on the stage all was still; only Verus whispered a few remarks to Titianus, and the curiosity-dealer spoke into Plutarch's ear, long sentences with the stringent emphasis which was peculiar to him; and the old man answered sometimes with an assenting nod, and sometimes with a deprecatory motion of his hands.
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