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Updated: June 6, 2025
This curious collection was discovered at Tanis, and dates probably from Ptolemaic times. Models of the Pharaonic ages are in soft limestone, and nearly all represent portraits of reigning sovereigns. These are best described as cubes measuring about ten inches each way.
I have endeavored to give a picture of the splendor of the Pharaonic times in "Uarda," of the subjection of Egypt to the new Empire of the Persians in "An Egyptian Princess," of the Hellenic period under the Lagides in "The Sisters," of the Roman dominion and the early growth of Christianity in "The Emperor," and of the anchorite spirit in the deserts and rocks of the Sinaitic Peninsula in "Homo Sum."
It is true, however, that such brilliant colours are not found in any of the other Pharaonic monuments, and that here they are heightened by the white background. For, notwithstanding the bluish, black and red granite of the porticoes, the walls are all of a fine limestone, of exceeding whiteness, and, in the holy of holies, of a pure alabaster.
The largest blocks were reserved for the lower parts of the building; and this precaution was the more necessary because the architects of Pharaonic times sank the foundations of their temples no deeper than those of their houses.
The pre-historic race or races had already reached a fair level of civilisation neolithic in type though it may have been when a new people appeared upon the scene, bringing with them the elements of a high culture and a knowledge of working in metals. These were the Pharaonic Egyptians, who seem to have come from Babylonia and the coasts of southern Arabia.
The sacred animals of the older cult were associated with the deities of the new-comers; in the eyes of the upper classes they were but symbols; the lower classes continued to see in them what their fathers had seen, the gods themselves. While the Pharaonic Egyptian adored Horus, the older race knew of Horus only as a hawk.
With singular sagacity, they saw that this might be accomplished by availing themselves of Orientalism, the common point of contact of the two systems; and that, by its formal introduction and development, it would be possible not only to enable the philosophical king, to whom all the pagan gods were alike equally fictitious and equally useful, to manifest respect even to the ultra-heathenish practices of the Egyptian populace, but, what was of far more moment, to establish an apparent concord between the old sacerdotal Egyptian party strong in its unparalleled antiquity; strong in its reminiscences; strong in its recent persecutions; strong in its Pharaonic relics, regarded by all men with a superstitious or reverent awe and the free-thinking and versatile Greeks.
Its natural history, with due details of all manner of poppies, their indigenous habitats, botanical characters, ratios of increase, and the like; its human history, discovery as a drug; how, when, where, and by whom cultivated; dissertations as to the possibility of Chaldean, Pharaonic, Grecian, or Roman opium eating, with most erudite extracts out of all sorts of scribes, from Sanchoniathon down to Juvenal, on these topics; its medicinal uses, properties, accidents, and abuses; as to whether it might not be used homoeopathically or in infinitesimal doses, to infuse a love of the pleasures of imagination into clodpoles, lawyers' clerks, and country cousins; its intellectual possibilities of usefulness, stimulating the brain; its moral ditto, allaying irritability; together with a dreadful detail of its evils in excess, idiotizing, immoralizing, ruining soul and body.
Elsewhere, he suppresses these intermediary episodes, and passes abruptly from the watery to the sandy region. Thus, the mosaic of Palestrina and the tomb-paintings of Pharaonic Egypt reproduce the same group of subjects, treated after the conventional styles and methods of two different schools of art.
On the coast of Egypt he founded Alexandria, which now, after a lapse of 2240 years, is still a flourishing city. He marched through the Libyan desert to the oasis of Zeus Ammon, where the priests, after the old Pharaonic custom, consecrated him "Son of Ammon."
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